Ingrid Bergman: The Life Story Behind Casablanca's Star

Ingrid Bergman said, Be yourself. The world worships the original, and she was an original, a Swedish actress who came to Hollywood and became one of the greatest stars in the history of cinema, not by being glamorous, but by being natural, by being herself, and by playing women who were real, honest, and deeply human. She starred in Casablanca, one of the greatest films ever made, she won three Academy Awards, she was exiled from America for falling in love, and she came back, triumphantly, to win another Oscar, and to prove that talent, and truth, are stronger than scandal.

She was born on 29 August 1915 in Stockholm, Sweden, the daughter of an artist, and she grew up in a world of art and theatre, a beautiful, shy girl who lost her mother when she was three years old, and her father when she was thirteen, and who found comfort in acting, in the theatre, and in the cinema, and who became a star in Sweden before she was twenty, in films that were natural, honest, and deeply Swedish, films that showed her talent, and that brought her to the attention of Hollywood, which invited her to America, and made her a star.

Her career took her from Intermezzo, her first American film, to Casablanca, to Gaslight, for which she won her first Oscar, to Notorious, to Joan of Arc, and then to a scandal, when she fell in love with the Italian director Roberto Rossellini, and left her husband and daughter to be with him, a scandal that made her a pariah in America, and that forced her to live in Europe for seven years, until she returned, in Anastasia, and won her second Oscar, and proved that she was still one of the greatest actresses in the world.

She died on 29 August 1982, on her 67th birthday, in London, of breast cancer, after a long and extraordinary life, and she left behind a body of work that is a testament to naturalness, to truth, and to the power of being yourself, because she was herself, always, and she never pretended to be someone she was not, and that is why she is remembered as one of the greatest actresses who ever lived. This is the full life story of Ingrid Bergman, the natural star, and the woman who was herself, always.

An Orphan Girl in Stockholm

Ingrid Bergman was born on 29 August 1915 in Stockholm, Sweden, and she was the daughter of Justus Samuel Bergman, an artist and photographer, and Frieda Henrietta Adler Bergman, a German woman, and she was an only child, who grew up in a comfortable home, in a world of art and culture, and who was a beautiful, shy girl, with a warm smile, and a natural grace, and who loved the theatre, and the cinema, and who dreamed of becoming an actress, even though she was shy, and even though she was not sure she had the talent, but she had a dream, and she followed it.

Her mother died when she was three years old, of jaundice, and her father died when she was thirteen, of stomach cancer, and she was orphaned, and she was raised by her aunt, Ellen Bergman, a woman who was strict, but who loved her, and who encouraged her to study acting, and who took her to the theatre, and who believed in her talent, and that belief gave Bergman the confidence to pursue her dream, even though she had lost both her parents, and even though she was alone in the world, at a young age, and that loss shaped her for the rest of her life, making her more serious, more determined, and more aware of the fragility of life.

She attended the Royal Dramatic Theatre School in Stockholm, where she studied acting, and where she was a dedicated student, who worked hard, who learned her craft, and who began to appear on stage, in plays that were serious, thoughtful, and Swedish, and she was noticed by the film industry, because she was beautiful, because she was natural, and because she had a presence that was both warm and strong, a combination that was rare, and that made her a natural for the screen, a woman who could play a lady, and who could make it feel real, without trying, because she was real, and that was her gift.

Stardom in Sweden and Intermezzo

Bergman became a star in Sweden in the 1930s, appearing in films like Intermezzo in 1936, a romantic drama about a violinist who falls in love with a young pianist, in a film that was a success in Sweden, and that was noticed in Hollywood, because it was natural, honest, and deeply moving, and because Bergman, at 21, was a revelation, a young actress with a warm smile, a natural grace, and a talent that was far beyond her years, and Hollywood invited her to America, to remake Intermezzo, with Leslie Howard, in 1939, her first American film, and the beginning of her Hollywood career.

Intermezzo was a success in America, and it made Bergman a star, a woman who was beautiful, natural, and talented, and who was different from other Hollywood stars, because she did not wear heavy makeup, she did not have a glamorous image, and she was herself, always, and that naturalness was refreshing, in a Hollywood that was full of glamour, and that made audiences love her, because she felt real, not like a movie star, but like a person, a woman who could be your friend, your sister, or your love, and that is a gift that few actresses possess, the gift of being real, and Bergman had it, in abundance.

She signed a contract with the producer David O. Selznick, and she made a series of films in the early 1940s, including Dr. Jekyll and Mr. Hyde, in which she played a prostitute, a role that was daring for its time, and that showed her range, from a proper lady to a woman of the streets, and she was building a reputation as a serious, talented actress, a woman who was not afraid to take risks, and who was dedicated to her craft, and who was respected by her fellow actors and directors, including Alfred Hitchcock, who would cast her in three films, and who called her one of the greatest actresses he had ever worked with.

Casablanca and the Greatest Film

In 1942, Bergman starred in Casablanca, playing Ilsa Lund, a woman who is torn between two men, Rick Blaine, played by Humphrey Bogart, and Victor Laszlo, played by Paul Henreid, in a film that is one of the greatest ever made, a film about love, about sacrifice, and about doing the right thing, in a time of war, and it is a film that has become a legend, with lines that are famous around the world, including Here’s looking at you, kid, and We’ll always have Paris, and Play it, Sam, lines that Bergman delivered with a warmth, a sadness, and a beauty that made them unforgettable, and that made Ilsa one of the most beloved characters in the history of cinema.

Casablanca was made quickly, and it was not expected to be a great film, but it became one, because of the chemistry between Bergman and Bogart, a chemistry that was real, because they were both great actors, and because they understood the story, a story about a woman who must choose between love and duty, and who chooses duty, and who leaves the man she loves, for the sake of a greater cause, and Bergman played Ilsa with a dignity, a sadness, and a strength that made audiences weep, and that made the film a classic, a film that is still watched today, by millions of people, as an example of great filmmaking, and of great acting.

The film won the Academy Award for Best Picture, and it has been named one of the greatest films of all time by the American Film Institute, and Bergman’s performance is at its heart, a performance that is both glamorous and deeply human, playing a woman who is beautiful, who is in love, and who is torn, and who makes a difficult choice, and who lives with it, and that is a story that resonates, in every generation, because it is about love, about sacrifice, and about doing the right thing, even when it hurts, and Bergman showed us how, with a performance that will never be forgotten.

Gaslight and the First Oscar

In 1944, Bergman starred in Gaslight, playing Paula Alquist, a woman who is being driven mad by her husband, played by Charles Boyer, a man who is trying to convince her that she is losing her mind, in a film that is a psychological thriller, and that is still frightening today, and it was a performance that was powerful, vulnerable, and deeply moving, playing a woman who is afraid, who is confused, and who is slowly realising that she is not mad, and that her husband is lying to her, a performance that won her the Academy Award for Best Actress, her first Oscar, at the age of 29.

Gaslight was directed by George Cukor, and it was a film that explored the psychology of abuse, of manipulation, and of a woman who is being gaslighted, a term that comes from this film, and that is now used to describe a form of psychological abuse, and Bergman’s performance is at its heart, a performance that is both subtle and powerful, playing a woman who is losing herself, and who finds herself again, with the help of a detective, played by Joseph Cotten, and who, in the end, stands up to her husband, and takes back her life, a story that is still relevant today, because it is about a woman who is abused, and who finds her strength, and that is a powerful message, and one that Bergman delivered with grace and with courage.

Her Oscar for Gaslight was a recognition of her talent, and it made her one of the most respected actresses in Hollywood, a woman who could play a romantic heroine in Casablanca, and a victim in Gaslight, and who could make both feel real, because she brought her own naturalness, her own honesty, and her own humanity to every role, and that is why she was one of the greatest actresses of her generation, and why her Oscar was deserved, and why it was only the first of three, a record that few actresses have matched.

Notorious, Hitchcock, and Joan of Arc

Bergman worked with Alfred Hitchcock three times, in Spellbound in 1945, Notorious in 1946, and Under Capricorn in 1949, and those three films are among the finest in both their careers, and they made Bergman the definitive Hitchcock heroine, a woman who is beautiful, intelligent, and brave, and who is caught in a world of espionage, of murder, and of romance, and who must navigate it with a courage that is both quiet and strong, a woman who Hitchcock understood, and who he used to explore themes of trust, of betrayal, and of love, in films that are classics, and that are still studied today.

In Notorious, she played Alicia Huberman, a woman who is recruited by an American agent, played by Cary Grant, to spy on Nazis in Brazil, and it is a performance that is complex, romantic, and deeply human, playing a woman who is a drunk, who is a spy, and who is in love, and who must choose between love and duty, a performance that is one of her finest, and that shows her at her best, as a Hitchcock heroine, beautiful, brave, and vulnerable, all at the same time, and it is a film that is still one of the most beloved thrillers ever made.

She also starred in Joan of Arc in 1948, playing the Maid of Orléans, a role that was close to her heart, because she was a devout Catholic, and because she admired Joan, a woman who was brave, who was faithful, and who died for her beliefs, and it was a performance that was powerful, spiritual, and deeply moving, and that earned her an Academy Award nomination for Best Actress, and that showed her range, from a spy in Notorious to a saint in Joan of Arc, and that is a range that few actresses possess, and it is a testament to her talent, and to her dedication to her craft.

The Rossellini Scandal and Exile

In 1949, Bergman fell in love with the Italian director Roberto Rossellini, when she wrote him a letter, asking to work with him, and he invited her to Italy, to star in Stromboli, a film about a woman who marries a fisherman on a volcanic island, and they fell in love, and she left her husband, Dr. Petter Lindström, and her daughter, Pia, to be with Rossellini, and she became pregnant with his child, a scandal that shocked America, and that made her a pariah, because in 1950, America was a conservative country, and a woman who left her husband for another man, and who had a child out of wedlock, was seen as immoral, and she was denounced in the Senate, and she was banned from Hollywood, and she was exiled, for seven years, living in Europe, and making films with Rossellini, films that were artistic, but that were not successful, and that left her in a difficult position, both personally and professionally.

The scandal was enormous, and it was cruel, because Bergman was punished for falling in love, in a way that a man would not have been punished, and she was called immoral, and she was shunned, and she lost her career in America, and she lost contact with her daughter, Pia, who stayed with her father, and she suffered, both as a woman and as an actress, and that suffering is part of her story, a story of a woman who loved, and who paid a price for it, and who did not regret it, or so she said, because she loved Rossellini, and she loved her children with him, Isabella, Isotta, and Robertino, and she believed that love was worth the price, even if the price was high.

She made several films with Rossellini, including Stromboli in 1950, Europe ‘51 in 1952, and Journey to Italy in 1954, films that are now regarded as classics of Italian cinema, but that were not successful at the time, and that did not restore her career in America, and she was, for seven years, an exile, a woman who had been a star, and who was now a pariah, and that is a difficult place to be, and it is a testament to her strength that she survived it, and that she came back, triumphantly, in Anastasia, and won her second Oscar, and proved that talent is stronger than scandal.

Anastasia and the Triumphant Return

In 1956, Bergman returned to Hollywood, in Anastasia, playing a woman who may or may not be the Grand Duchess Anastasia, the daughter of the last Tsar of Russia, who was believed to have survived the revolution, in a film that was a success, earning millions of dollars and winning critical acclaim, and that won Bergman the Academy Award for Best Actress, her second Oscar, a triumphant return, after seven years of exile, and a proof that she was still one of the greatest actresses in the world, and that America had forgiven her, or at least, that Hollywood had, and that her talent was stronger than the scandal that had exiled her.

Anastasia was a fitting film for her return, because it is about a woman who is an impostor, or who may be a real princess, and who must prove who she is, a story that mirrored Bergman’s own life, a woman who had been exiled, and who was returning, and who had to prove herself again, and she did, with a performance that was elegant, mysterious, and deeply human, playing a woman who is lost, who is found, and who is loved, and that is a story that resonated with audiences, who welcomed her back, with open arms, and with applause, and who gave her a second Oscar, as a sign of their forgiveness, and of their admiration.

Her return was not just a personal triumph. It was a cultural moment, a sign that America was changing, and that a woman who had been punished for falling in love could be forgiven, and could be welcomed back, and that is a hopeful message, and it is a part of her story that is as important as Casablanca or Gaslight, because it shows that talent, and truth, are stronger than scandal, and that a great actress can survive anything, even exile, and come back, stronger than before, and that is a lesson worth remembering.

Murder on the Orient Express and the Third Oscar

In 1974, Bergman starred in Murder on the Orient Express, playing Greta Ohlsson, a Swedish missionary, in a film based on Agatha Christie’s novel, and it was a small role, but it was a memorable one, playing a woman who is simple, devout, and kind, and who is, in fact, a murderer, a performance that was subtle, nuanced, and deeply human, and that won her the Academy Award for Best Supporting Actress, her third Oscar, at the age of 59, a record that made her one of the few actors to win three Oscars, and that proved that she was still great, even in a small role, and even at an age when many actresses are forgotten.

The film was directed by Sidney Lumet, and it starred an ensemble cast, including Albert Finney, Lauren Bacall, and Sean Connery, and it was a success, earning millions of dollars and winning critical acclaim, and Bergman’s performance stood out, because she played Greta with a simplicity and a sincerity that made the character feel real, not like a caricature, but like a person, a woman who is devout, who is kind, and who is capable of murder, for the sake of justice, and that complexity is what made her performance so powerful, and so memorable, and it is why she won her third Oscar, a fitting tribute to a career that had lasted for more than forty years.

Her third Oscar was a testament to her longevity, because she had won her first Oscar in 1944, her second in 1956, and her third in 1974, a career that spanned three decades, and that showed that she was great at 29, at 41, and at 59, and at every age in between, and that is a rare achievement, and it is a reminder that talent does not fade with age, and that a great actress can be great for a lifetime, if she has the talent, the determination, and the naturalness that Bergman possessed, and that is a legacy that will never be forgotten.

Death in 1982 and the Legacy

Ingrid Bergman died on 29 August 1982, on her 67th birthday, in London, of breast cancer, after a long and extraordinary life, and her death was mourned around the world, because she was a legend, and because her films were classics, and because she had been a natural star, a woman who was herself, always, and who had changed the way actresses were seen, by being natural, by being honest, and by being real, and that is a legacy that will never be forgotten, and that is a part of her story that is as important as any film she made.

Her legacy is secure, because she is widely regarded as one of the greatest actresses in the history of cinema, and her performances in Casablanca, Gaslight, Notorious, Anastasia, and Murder on the Orient Express are classics that are still watched today, and her three Oscars are a record that few actresses have matched, and her life is an inspiration to anyone who wants to be themselves, to be natural, and to be true, in a world that often asks us to be someone else, and that is a legacy that will last, long after her films are watched, because her life is an example, and examples matter, and Bergman’s example is one of the finest there is.

Today, Ingrid Bergman is remembered as the natural star, a woman who was herself, always, and who won three Oscars, and who starred in Casablanca, one of the greatest films ever made, and who was exiled for love, and who came back, triumphantly, to prove that talent is stronger than scandal. She was a legend, and she always will be, because her story is one of naturalness, talent, and a life lived with truth, and it is a story that will be told for as long as films are watched, and for as long as people seek to be themselves.

Why Bergman Still Inspires

Bergman still inspires because she was herself, always, and she never pretended to be someone she was not. She did not wear heavy makeup, she did not have a glamorous image, and she was natural, honest, and real, and that naturalness was revolutionary, in a Hollywood that was full of glamour, and it showed that a woman could be beautiful by being herself, and that is a powerful message, for any woman who feels pressure to conform, to wear makeup, or to be someone she is not, because Bergman shows that you can be yourself, and you can be great, and you can be loved, on your own terms.

She also inspires because she survived scandal, and she came back, triumphantly, to win another Oscar, and to prove that talent is stronger than scandal, and that is a hopeful message, for anyone who has made a mistake, or who has been punished for falling in love, because it shows that you can come back, and you can be great again, and that the world will forgive you, if you are talented, and if you are true, and Bergman was both, and that is why her return is one of the great stories in Hollywood history.

Today, when the world feels divided and judgmental, Ingrid Bergman is a reminder that being yourself matters, that naturalness matters, and that talent, and truth, are stronger than scandal, and that is a legacy that will last, long after her films are watched, because her life is an example, and examples matter, and Bergman’s example is one of the finest there is, a woman who was herself, always, and who was great, because she was herself.

My Take:

What I admire about Ingrid Bergman is that she was herself, always, and she never pretended to be someone she was not. She did not wear heavy makeup, she did not have a glamorous image, and she was natural, honest, and real, and that naturalness was revolutionary, in a Hollywood that was full of glamour, and it showed that a woman could be beautiful by being herself, and that is a rare thing, because Hollywood tries to make its stars conform, and it tried to make her conform, and it failed, because she was too strong, and too natural, to be changed, and that is why she is a legend.

Casablanca is the film I think about most, because it is one of the greatest films ever made, and Bergman’s performance is at its heart. She played Ilsa Lund, a woman who is torn between two men, and who must choose between love and duty, and she did it with a warmth, a sadness, and a beauty that is unforgettable. I think about the scene where she says, We’ll always have Paris, and I am moved, because it is a moment of pure emotion, a woman who is in love, and who is leaving the man she loves, for the sake of a greater cause, and that is a powerful thing, and Bergman plays it with a dignity that is unforgettable.

Gaslight is a film I love, because it showed that Bergman was not just a romantic heroine, she was an actress of great depth, playing a woman who is being driven mad by her husband, and winning an Oscar for it. It is a performance that is powerful, vulnerable, and deeply moving, and it shows that she could play a victim, and make her feel real, because she brought her own naturalness, her own honesty, and her own humanity to the role, and that is why her performance won her a first Oscar, and why it is still studied today, as an example of great acting.

Her exile is a part of her story that moves me, because she was punished for falling in love, in a way that a man would not have been punished, and she was called immoral, and she was shunned, and she lost her career in America, and she suffered, both as a woman and as an actress, and that suffering is part of her story, a story of a woman who loved, and who paid a price for it, and who did not regret it, because she believed that love was worth the price, even if the price was high, and that is a form of courage, and a form of love, that is worth admiring.

The lesson I take from Bergman is that being yourself matters. She was herself, always, and she never apologised, and that is a lesson for anyone who feels pressure to conform, to be someone they are not, or to hide who they are. Be yourself, the way Ingrid Bergman was herself, and let the world adjust to you, because the world will adjust, if you are strong enough, and talented enough, and brave enough, and Bergman was all three, and that is why she is a legend.

I also think about her naturalness, because it was her greatest gift, and it was what made her different from other Hollywood stars. She did not wear heavy makeup, she did not have a glamorous image, and she was herself, and that naturalness made audiences love her, because she felt real, not like a movie star, but like a person, a woman who could be your friend, your sister, or your love, and that is a gift that few actresses possess, the gift of being real, and Bergman had it, in abundance, and she used it, in every film she made.

Her three Oscars are a record that speaks for itself, because she won them over a career that lasted for more than forty years, from Gaslight at 29 to Murder on the Orient Express at 59, and each win was for a different kind of performance, from a victim to a princess to a missionary, and each showed a different side of her talent, and a different stage of her life, and together they tell the story of a career that was extraordinary in its longevity and in its quality, and that is a legacy that will never be forgotten.

Finally, I believe Ingrid Bergman was one of the greatest actresses who ever lived, and her films are classics that will be watched for as long as films are watched. She was natural, she was honest, and she was great, and her story is one of talent, truth, and a life lived with courage. She will always be remembered as the natural star, and as the woman who was herself, always.

One more thing I want to say is that her return, in Anastasia, is one of the great comebacks in Hollywood history, because she had been exiled for seven years, and she came back, and she won a second Oscar, and she proved that talent is stronger than scandal. That is a hopeful message, for anyone who has made a mistake, or who has been punished, because it shows that you can come back, and you can be great again, and that the world will forgive you, if you are talented, and if you are true, and Bergman was both.

When I think about Stockholm, her birthplace, I think about how far she travelled, from an orphan girl in Sweden to the greatest actress in Hollywood, and how much she achieved. She was a girl who lost both her parents, and who found comfort in acting, and who became a star, and that is a story that inspires anyone who has lost someone, because it shows that you can survive loss, and you can become great, and you can find a new family, in the theatre, and in the cinema, and that is a hopeful message, and one that Bergman embodied.

I will end by saying that watching Ingrid Bergman act was a privilege, and I am grateful to have seen her films. She was natural, she was honest, and she was talented, and those three things together make a great actress. She is Ilsa Lund, she is Paula Alquist, she is Alicia Huberman, and she is Ingrid Bergman, the natural star, and she will always be remembered as such.

There is a final thought I want to leave with, and it is about her famous line, Be yourself. The world worships the original, a line that she said, and that has stayed with me, because it is a lesson about life, about being yourself, and about not trying to be someone else. Bergman lived that lesson, in every role, and in every part of her life, and that is the power of her example: it teaches us how to live, and it makes us better people, by showing us that being ourselves is enough.

And if you have never seen Casablanca, watch it, because it is one of the great films of all time, and Bergman’s performance is at its heart. Watch it for the story, for Humphrey Bogart, and for Bergman, who plays Ilsa Lund with a warmth, a sadness, and a beauty that is unforgettable. That is the Ingrid Bergman I will remember: not just the actress, but the woman, who was natural, honest, and great, and who will never be forgotten.

One last memory: the image of her as Ilsa Lund in Casablanca, in a white dress, with a hat, saying goodbye to Rick, with a sadness that is both beautiful and heartbreaking. That image is iconic, and it is beautiful, and it is the image that will define her forever. She was Ilsa Lund, and she was Ingrid Bergman, and she was the natural star.

Her legacy will live on through her films, through her children, and through the generations of people she inspired, who saw her performances and wanted to be natural the way she was natural. That is a fitting legacy for a woman who defined naturalness, and who did it with a warmth and a talent that will never be forgotten. She is gone, but her work remains, and her name will be remembered as one of the greats.

Finally, I want to say thank you, Ingrid Bergman, for Casablanca, for Gaslight, and for a life lived with naturalness and with truth. You were a great actress, and you were a great woman, and the world is a better place because you were in it. Your films are still here, your legacy is still here, and your example is still here, and that is a life that mattered, and a life that will never be forgotten.

And one more thing: if you are a woman, be like Bergman, because she is the woman every woman deserves to be, a woman who is herself, who is natural, and who never apologises for who she is. Be Bergman, the way Ingrid Bergman was Bergman, and the world will be a better place for it, because the world needs more women like her, who are natural, honest, and free.

There is a last lesson in her life that I carry with me, and it is this: be yourself, even when it is hard, because being yourself is a choice, and Bergman chose it, every day, in every role, and in every part of her life. That is a lesson worth remembering, and it is one I will carry with me, always, because the world needs more people like Ingrid Bergman, who are themselves, who are natural, and who are true.

One final thought: her three Oscars, won over three decades, are a testament to her longevity, because she was great at 29, at 41, and at 59, and at every age in between, and that is a rare achievement, and it is a reminder that talent does not fade with age, and that a great actress can be great for a lifetime, if she has the talent, the determination, and the naturalness that Bergman possessed.

And if you ever doubt that being yourself can be enough, remember Ingrid Bergman, because she proved it, in every film she made, and her proof is still here, in Casablanca, in Gaslight, and in Anastasia, films that are still powerful, still moving, and still relevant, more than forty years after her death.

There is one more thing I want to say, and it is about her daughter Isabella Rossellini, because she became an actress and a model, and she has carried on her mother’s legacy, in her own way, and that is a beautiful thing, and it is a part of her story that shows her as a mother, not just as a star, and that is a legacy that matters, in its own way, alongside her films, because her children are her greatest legacy, and they have honoured her, by being themselves, just as she was herself.

Her story also reminds me that an orphan girl from Stockholm can become a legend, if she has talent, determination, and naturalness, and that is a hopeful message for anyone who has lost someone, or who feels alone. Bergman was an orphan, and she was alone, and she became one of the greatest actresses in history, because she embraced who she was, and she used it to become great. That is a lesson worth remembering, for every orphan, and every lonely person, out there.

I also want to mention her work with Hitchcock, because he was one of the greatest directors in history, and he chose her, three times, to be his leading lady, and that is a compliment that speaks for itself. He called her one of the greatest actresses he had ever worked with, and he meant it, and their partnership is one of the great director-actress partnerships in cinema, a partnership that produced Spellbound, Notorious, and Under Capricorn, films that are classics, and that show Bergman at her best.

And finally, I think about the fact that she died on her 67th birthday, and that is a poignant detail, a woman who was born and who died on the same day, 29 August, and that is a reminder that life is a circle, and that we should make the most of it, the way Ingrid Bergman did, living a life that was natural, honest, and great, and that is a life worth living, and a life worth remembering, and I am grateful to have learned about it.

Frequently Asked Questions

When was Ingrid Bergman born?

Ingrid Bergman was born on 29 August 1915 in Stockholm, Sweden. She lost both parents young and studied at the Royal Dramatic Theatre School before becoming a star in Swedish films.

What is Ingrid Bergman’s most famous film?

Her most famous film is Casablanca (1942), playing Ilsa Lund opposite Humphrey Bogart. It won the Academy Award for Best Picture and is regarded as one of the greatest films ever made.

How many Oscars did Ingrid Bergman win?

She won three Academy Awards: Best Actress for Gaslight (1944) and Anastasia (1956), and Best Supporting Actress for Murder on the Orient Express (1974). She was nominated seven times.

Why was Ingrid Bergman exiled from Hollywood?

In 1949 she fell in love with Italian director Roberto Rossellini and left her husband, causing a scandal in conservative America. She lived in Europe for seven years before returning triumphantly in Anastasia.

When did Ingrid Bergman die?

She died on 29 August 1982, on her 67th birthday, in London, of breast cancer, after a career of more than forty years in film.

What films did Ingrid Bergman make with Hitchcock?

She made three films with Alfred Hitchcock: Spellbound (1945), Notorious (1946), and Under Capricorn (1949). Hitchcock called her one of the greatest actresses he had worked with.