Nathy Peluso: The Life Story Behind Argentina's Fierce Voice

Nathy Peluso is one of the fiercest voices in Latin music, and she is also one of the most original. She is a singer, a rapper, and a performer, and she is known for a style that mixes salsa, hip hop, jazz, tango, and pop into something that is entirely her own. Her songs, including “Buenos Aires”, “Sana sana”, “Delito”, and “La sandunguera”, have made her famous across the Spanish-speaking world, and her albums “Calambre” and “Grasa” have won Latin Grammys. She is an artist who does not fit into a single box, and she does not try to.

She was born Natalia Peluso, in 1995, in Luján, in the province of Buenos Aires. She grew up in Argentina, and then, when she was nine years old, she moved with her family to Spain. She grew up between two worlds: the Argentina of her birth, and the Spain of her youth. That life between two countries shaped her music, her voice, and her identity. She sings about Buenos Aires, and she sings about Madrid, and she belongs to both places at once.

Her story is the story of an artist who built a career from nothing, using the internet, her voice, and her determination. She started by posting videos of herself singing, and she built an audience one video at a time. She did not have a big record company behind her at the start. She had talent, she had style, and she had a voice that no one could ignore. This is the story of how a girl from Luján became Nathy Peluso, and how Nathy Peluso became one of the great voices of Latin music.

Luján, Argentina, and a Childhood of Music

Natalia Peluso was born on 12 January 1995 in Luján, a city in the province of Buenos Aires, known for its basilica and its religious history. She grew up in a family where music was important, and she was surrounded by songs from a young age. Her father was a musician, and her home was full of music: tango, folk, rock, and the songs of Latin America. Young Natalia listened, and she learned, and she began to sing.

She was a child who loved to perform. She sang at home, she danced, and she put on shows for her family. She was not shy. She liked being the centre of attention, and she liked the feeling of people listening to her. That feeling stayed with her, and it became the foundation of her career. She was not only a singer. She was a performer, and she understood from a young age that a performance is about more than a voice. It is about presence, about energy, and about connecting with an audience.

When she was nine years old, her family moved to Spain, to the city of Alicante, on the Mediterranean coast. The move was a big change for a child. She had to leave her home, her friends, and her country, and start again in a new place, with a new language and a new life. It was not easy, but it shaped her. She grew up between two cultures, Argentine and Spanish, and she learned to belong to both. That life between two worlds would become the heart of her music.

In Spain, she continued to sing, and she began to study music more seriously. She listened to jazz, to salsa, to hip hop, and to the music of Latin America, and she began to understand that a singer could be many things at once. She did not have to choose one style. She could mix them, and she could make something new. That understanding would define her whole career.

Alicante, Madrid, and Growing Up Between Two Worlds

In Alicante, Nathy grew up as an Argentine girl in Spain, and that experience gave her a double identity. She spoke Spanish with an Argentine accent, she loved Argentine music, and she missed her home country. But she also loved Spain, she made friends there, and she learned to live in a new culture. She was both Argentine and Spanish, and neither fully, and that in-between life gave her a unique perspective. She could see both worlds, and she could sing about both.

As a teenager, she moved to Madrid, the capital of Spain, to study and to pursue music. Madrid was a bigger city, with a bigger music scene, and it gave her new opportunities. She studied audiovisual communication, and she began to perform in small venues, singing jazz, soul, and Latin music. She was young, she was talented, and she was determined to make a career in music. She worked in bars, she sang at events, and she built her skills one performance at a time.

Madrid also gave her a community of musicians, and she began to collaborate with other young artists. She learned from them, and they learned from her. She was developing a style that was her own: a mix of salsa, hip hop, jazz, and pop, sung with a powerful voice and a theatrical presence. She was not trying to sound like anyone else. She was trying to sound like herself, and that took time, and it took courage.

Those years in Madrid were also a time of struggle. She did not have much money, and she had to work hard to survive while pursuing music. She took jobs, she performed wherever she could, and she kept going, even when it was hard. That persistence is part of who she is, and it is part of why her success, when it came, was so well deserved. She had earned it, night after night, in small venues, in front of small audiences, with a big voice and a bigger dream.

YouTube, La Sandunguera, and the First Videos

Nathy’s breakthrough came through the internet. She began to post videos of herself singing on YouTube, and those videos began to spread. She sang covers, she sang her own songs, and she performed with a confidence and a style that made people pay attention. Her videos were not polished. They were raw, direct, and full of energy, and that rawness was part of their appeal. People saw a young woman with a huge voice, singing as if her life depended on it, and they wanted to hear more.

One of her early songs was “Esmeralda”, released in 2017, and it showed her gift for melody and for storytelling. It was a song about a woman, about strength, and about survival, and it was sung with a passion that was unmistakable. It was followed by “La sandunguera” in 2018, a song that became one of her signature works. “La sandunguera” is a song about a woman who dances, who lives, and who refuses to be tamed, and it became an anthem for listeners who saw themselves in it.

“La sandunguera” was a turning point. It was played on the radio, it was streamed millions of times, and it introduced Nathy to a much larger audience. It showed that she could write a hit, that she could perform it with style, and that she had a voice that was unlike anyone else’s. She was no longer only a YouTube singer. She was a recording artist, and she had a song that people loved.

Those early videos and songs were made with little money, but they had something that money cannot buy: a voice, a presence, and a truth. Nathy sang as if she meant every word, and her audience believed her. That belief is the foundation of her career, and it is why her fans have stayed with her. They trust her, because she has always been honest with them.

Corashe, Buenos Aires, and the Song About Home

In 2019, Nathy released “Corashe”, a song that became another hit, and it showed her gift for mixing styles. The song was playful, rhythmic, and full of her personality, and it was streamed millions of times. It was followed by more songs, and each one added to her reputation as an artist who could do many things, and who could do them well. She was not a one-style singer. She was a versatile artist, and her versatility was becoming her signature.

In 2020, she released her first album, “Calambre”, and it was a landmark. The album included “Buenos Aires”, a song that became one of her most famous works. “Buenos Aires” is a song about her home city, about the place she was born, and about the feeling of missing it. It is sung with a passion that is unmistakable, and it became an anthem for Argentines living abroad, and for anyone who has ever missed home. The song’s video, filmed in Buenos Aires, showed the city in all its beauty, and it made the song even more powerful.

“Calambre” also included “Sana sana”, a song that became a hit, and “Delito”, another song that showed her range. The album was a mix of salsa, hip hop, jazz, and pop, and it was full of Nathy’s personality. It was well received, and it won a Latin Grammy for Best Alternative Music Album. That award was a recognition of everything she had done, from her YouTube videos to her first album, and it was a moment of pride for her and for her fans.

“Buenos Aires” remains Nathy’s signature song, and it is still played today. It is a reminder of a moment when a young woman who had left Argentina as a child sang about her home, and the whole Spanish-speaking world listened. For Nathy, it was a homecoming, even though she was far from home, and it was a song that connected her to the country she had left and to the people who still lived there.

Bizarrap, Ateo, and the Biggest Stages

After “Calambre”, Nathy’s career grew quickly. She recorded a session with Bizarrap, one of the most important producers in Latin music, and the session brought her to an even larger audience. Bizarrap’s sessions are watched by millions of people, and they are a sign that an artist has arrived. Nathy’s session was a success, and it showed that she could hold her own alongside the biggest names in Latin music.

She also collaborated with C. Tangana, a Spanish artist, on the song “Ateo”, released in 2021. The song became a hit, and it was controversial, because its video, filmed in a cathedral, sparked debate in Spain. The controversy did not hurt the song. It made it more famous, and it showed that Nathy was not afraid to take risks, to challenge expectations, and to make art that provoked a reaction. She was not a safe artist. She was a bold one, and her fans loved her for it.

She has also collaborated with many other artists, in Latin America and in Spain, and she has shown that she can adapt to different styles without losing herself. Those collaborations have taken her music to new audiences, and they have shown that she is respected by her peers. When other artists want to work with you, it means they trust your talent, and Nathy has earned that trust many times over.

Her concerts have also become major events. She plays for large audiences, and her shows are known for their energy, their theatricality, and their power. She is a performer who gives everything on stage, and her audience gives it back. She connects with them because she is honest, because she is fierce, and because she sings as if her life depends on it. That connection is the heart of her success.

Grasa and the Second Latin Grammy

In 2024, Nathy released “Grasa”, her second album, and it became one of the most celebrated of her career. The album was rich, varied, and full of the songs that had made her famous, along with new material that showed her growth. It was a statement of who she was, after years of work, and it was well received by fans and by critics. It won a Latin Grammy for Best Alternative Music Album, her second win in that category, and it confirmed that Nathy was one of the great artists of her generation.

“Grasa” showed that Nathy could still surprise people. The album was full of new ideas, new sounds, and new feelings, and it was the work of an artist who had learned a great deal over the years, and who was still curious. That curiosity is what has kept her alive, and it is what makes her later work so interesting. She does not repeat herself, and she does not stand still. She moves, and her audience moves with her.

The album’s title, “Grasa”, which means fat or grease, was a bold choice, and it was typical of Nathy. She does not choose safe titles, and she does not make safe music. She chooses words that provoke, that challenge, and that make people think. “Grasa” was an album about excess, about desire, and about the messiness of life, and it was sung with the same passion that has always defined her work.

The Latin Grammy for “Grasa” was not only a prize. It was a sign that Nathy’s long journey had been recognised, and that her music mattered beyond Argentina and Spain. It was a moment when the whole Latin music world looked at her and said: this artist is one of the greats. For a woman who had started by posting videos on YouTube, that was a long way to travel, and she had travelled it with her voice, her style, and her determination.

The Voice, the Theatre, and the Performance

Nathy Peluso is not only a singer. She is a performer, and her concerts are theatre. She dances, she acts, she changes costumes, and she uses the stage as a place to tell stories. Her performances are full of energy, full of drama, and full of the personality that has made her famous. She does not stand still and sing. She moves, she commands, and she makes the audience feel that they are part of something special.

Her voice is also part of her identity. It is powerful, it is versatile, and it can do many things: it can whisper, it can shout, it can sing a salsa, and it can rap. She uses her voice like an instrument, and she uses it with a control that comes from years of practice. She is not only a natural talent. She is a trained singer, and she has worked hard to develop her voice. That hard work shows in every song.

Her theatricality comes from her background in performance, and from her love of the stage. She grew up performing, and she has never lost that love. She understands that a concert is not only about music. It is about a night, a feeling, and a memory. She gives her audience a night they will remember, and they give her their love in return. That exchange is what live music is about, and Nathy understands it better than most.

Over the years, her performances have influenced many younger artists, who have learned from her style, her energy, and her courage. She showed that a Latin artist could be theatrical, could be bold, and could be herself, all at the same time. That influence is part of her legacy, and it will last long after her last concert.

Between Two Countries and a Life in Music

Nathy Peluso lives between two countries, Argentina and Spain, and that life between two worlds is at the heart of her music. She was born in Argentina, she grew up in Spain, and she belongs to both. She sings about Buenos Aires, and she sings about Madrid, and she does it with the same love. That double identity is not a problem for her. It is a gift, and it is the source of her originality.

Her music is also a mix of two worlds. It is Argentine in its passion, in its tango, and in its longing for home. It is Spanish in its rhythm, in its salsa, and in its celebration of life. It is Latin American in its scope, and it is global in its reach. That mix is what makes her sound unique. She does not belong to one tradition. She belongs to many, and she brings them together in a way that is entirely her own.

Today, Nathy is still active, still touring, and still making music. She plays for large audiences in Latin America, in Spain, and in the United States, and her concerts are still fierce, still theatrical, and still full of her personality. She has been together with her music for many years, and she has survived changes in the music business, changes in fashion, and the pressure of fame. She is still here, and she is still fierce.

Her story is a story about a girl who left home as a child, who grew up between two countries, and who turned that life into art. It shows that a double identity is not a weakness. It is a strength, and it can make an artist original. Nathy Peluso is original, and she is one of the great voices of her generation.

The Albums, the Awards, and the Recognition

Nathy Peluso’s albums have brought her the highest honours in Latin music. “Calambre” won a Latin Grammy for Best Alternative Music Album, and “Grasa” won the same award four years later. Those two wins are a rare achievement, and they show that Nathy is not a one-album artist. She is a career artist, someone who makes great records again and again, and who is recognised by her peers for doing so. The awards are not only prizes. They are a sign that her music matters, and that it will be remembered.

Her albums have also been praised by critics, who have noted her originality, her versatility, and her courage. She does not make safe records. She makes bold ones, full of risks, full of different styles, and full of her personality. Critics respect that, because it is hard to do. It is easy to make a record that sounds like everything else. It is hard to make a record that sounds like yourself, and Nathy does that every time.

Her recognition extends beyond awards. She has been invited to perform at major festivals, to collaborate with major artists, and to represent Latin music on global stages. She has become a reference point, an artist that other artists look up to, and a voice that defines a generation. That recognition is the result of years of work, and it is well deserved. She started with a camera and a voice, and she built a career that the whole world now recognises.

My Take:

I think Nathy Peluso is one of the most original artists in Latin music, and I say that because she does not sound like anyone else. Her voice is powerful, her style is bold, and her music mixes salsa, hip hop, jazz, tango, and pop into something that is entirely her own. That originality is rare, and it is hard to achieve. Many artists try to be original, and they end up sounding like a copy of someone else. Nathy does not. She sounds like Nathy, and that is the highest praise I can give any artist.

What I admire most is her voice. It is a voice that can do many things: it can whisper, it can shout, it can sing a salsa, and it can rap. She uses it with a control that comes from years of practice, and she uses it with a passion that comes from her heart. When she sings “Buenos Aires”, you can hear the longing in her voice, the love for a city she left as a child, and the pain of missing it. That is not a performance. That is a feeling, and it is real. I think that is why her fans trust her. They hear the truth in her voice.

I also think about where she came from, and I find her story moving. She left Argentina when she was nine years old, and she grew up in Spain, between two countries, between two cultures, and between two homes. That is not an easy life for a child. It means always being a little bit foreign, always missing something, and always trying to belong. Nathy turned that feeling into art. She made it the heart of her music, and she made it beautiful. That is a remarkable thing to do, and it is one I admire deeply.

There is also something I respect about the way she built her career. She started by posting videos on YouTube, with no record company, no money, and no famous friends. She had a voice, a camera, and a determination to be heard. She posted, she sang, and she built an audience one video at a time. That is a very modern story, and it is a story that says a lot about how music has changed. You do not need permission to make music anymore. You need talent, and a way to share it. Nathy had both, and she used them well.

I do not want to pretend that her life has been easy. Growing up between two countries is hard, and becoming famous is hard. She has had to deal with pressure, with expectations, and with the difficulty of having a private life when everyone knows your name. Those are real challenges, and they are not to be dismissed. But I think she has handled them well, by focusing on the music and by staying true to herself. That is a good way to handle fame, and it is a way that many stars could learn from.

I also think about “Buenos Aires”, and about what it meant. It was not only a hit song. It was a homecoming, a song about a city she had left as a child, sung with a passion that made the whole Spanish-speaking world listen. For Argentines living abroad, it was a song that spoke to them directly. It said: I miss home too, and I understand. That is a powerful thing for a song to do. It is not only entertainment. It is a comfort, and it is a connection. Nathy gave that comfort to millions of people, and that is a gift.

One thing that stays with me is “La sandunguera”, and what it says about being a woman. It is a song about a woman who dances, who lives, and who refuses to be tamed. It is fierce, it is joyful, and it is unapologetic. That is a powerful message, especially for young women who are told to be quiet, to be polite, and to be small. Nathy tells them to be big, to dance, and to live. That is a lesson that goes beyond music, and it is one I admire.

I also think about her albums, “Calambre” and “Grasa”, and about what they show. They are not safe albums. They are bold, varied, and full of risks. She mixes styles, she tries new sounds, and she does not repeat herself. That willingness to take risks is part of what makes her great. A safe artist will have a safe career, but a bold artist will have a great one. Nathy is bold, and her career is great. The Latin Grammys she won are proof of that, but the real proof is in the music itself.

If I had to choose one lesson from her story, it would be about turning a difficult life into art. Nathy left home as a child, she grew up between two countries, and she could have let that make her bitter. Instead, she made it into music. She turned longing into a song, she turned a double identity into a style, and she turned a hard childhood into a career. That is a lesson for anyone who has had a difficult life. You do not have to hide it. You can turn it into something beautiful, and you can share it with the world.

I also think about her performances, and about what makes them special. She does not stand still and sing. She dances, she acts, she changes costumes, and she uses the stage as a place to tell stories. That theatricality is part of who she is, and it is part of why her concerts are unforgettable. She gives her audience a night they will remember, and they give her their love in return. That exchange is what live music is about, and Nathy understands it better than most.

There is a sadness in her story too, and it is the sadness of missing home. She left Argentina as a child, and she has spent her life between two countries, always a little bit foreign in both. That is a hard way to live, and it is a feeling that never fully goes away. But she has turned that sadness into art, and that art has comforted millions of people who feel the same way. That is a beautiful thing, and it is a thing I admire more than any award.

I also think about the controversy around “Ateo”, and about what it shows. She made a video in a cathedral, and it sparked debate in Spain. Some people were offended, and some people loved it. Nathy did not apologise. She stood by her art, and she let the debate happen. That takes courage, because it is easier to be safe than to be bold. But bold art is the art that matters, and Nathy makes bold art. I respect that, even when I do not agree with every choice she makes.

I think about her future, and I feel hopeful. She is still young, and she has already won two Latin Grammys, and she has already made two great albums. But she is not finished. She is still writing, still recording, and still growing. If she continues as she has begun, she could have a career that lasts for decades, and she could become one of the great artists of her generation. That is not a prediction. It is a hope, based on what she has already done.

I also think about the young artists who look up to Nathy, and I feel hopeful for them. They see a woman who is fierce, who is original, and who is unapologetically herself, and they believe that they can be that too. That belief matters, because it gives them the courage to try. Nathy’s success is not only her own. It belongs to the whole generation of young women who are coming after her, and to the women who will come after them. That is a legacy that is still growing.

I think about her voice again, and about how it will grow. When she was young, her voice was bright and powerful. Now it is deeper, more controlled, and more expressive. In ten years, it will be deeper still, and it will carry more life. That growth is the result of years of singing, of recording, and of performing. It shows that she is not standing still. She is working on her craft, and she is getting better. That is a good sign for her future, because an artist who keeps getting better will keep finding new audiences.

If I could ask her one question, I would ask her what Buenos Aires means to her now, after all these years. I think she would say that it is home, even though she left it as a child, and that it will always be home. I think she would say that a city you are born in never leaves you, even if you leave it. That is a beautiful idea, and it is one that her song “Buenos Aires” already expresses. Home is not only a place. It is a feeling, and it travels with you.

I also think about her albums, and about what the Latin Grammys mean. Winning once is a great honour. Winning twice, in the same category, four years apart, is a sign of a real career. It shows that Nathy is not a one-album artist. She is an artist who makes great records again and again, and who is recognised for it. That consistency is rare, and it is worth celebrating. Many artists win once and fade. Nathy won twice, and she is still going.

I think about the young artists who look up to Nathy, and I feel hopeful for them. They see a woman who is fierce, who is original, and who is unapologetically herself, and they believe that they can be that too. That belief matters, because it gives them the courage to try. Nathy’s success is not only her own. It belongs to the whole generation of young artists who are coming after her, and to the artists who will come after them. That is a legacy that is still growing.

There is also something I admire about her courage. She makes bold art, she takes risks, and she does not apologise for it. The video for “Ateo” sparked debate, and she stood by it. That takes courage, because it is easier to be safe than to be bold. But bold art is the art that matters, and Nathy makes bold art. I respect that, even when I do not agree with every choice she makes. An artist who is afraid to take risks will never make great work, and Nathy is not afraid.

What I take away from Nathy, more than any single song, is the idea that a life between two worlds can be a gift, not a burden. She was born in Argentina, she grew up in Spain, and she turned that double life into music that belongs to both places and speaks to people in both. That is a lesson for anyone who has ever felt caught between two homes, and it is one I will remember, because it tells me that belonging is not about one place. It is about carrying every place you have loved with you, and letting them all sing through you.

In the end, I think Nathy Peluso deserves her place as one of the great voices of Latin music, not because she won awards, and not because she had hits, but because she turned a life between two countries into art that is fierce, original, and true. She came from Luján, she grew up in Spain, and she sang about both. That is a great story, and it is a story that is still being written. I hope she keeps writing it for many years to come.

Frequently Asked Questions

What is Nathy Peluso’s real name and where is she from?

Nathy Peluso’s real name is Natalia Peluso, and she was born on 12 January 1995 in Luján, in the province of Buenos Aires, Argentina. She moved with her family to Spain when she was nine years old.

What made Nathy Peluso famous?

She became famous through videos she posted on YouTube, and then with songs such as “La sandunguera” in 2018 and “Corashe” in 2019. Her first album “Calambre” in 2020, with the song “Buenos Aires”, made her a star across the Spanish-speaking world.

What are Nathy Peluso’s best-known songs?

Her best-known songs include “Buenos Aires”, “Sana sana”, “Delito”, “La sandunguera” and “Corashe”. “Buenos Aires” is her signature song, a passionate tribute to the city where she was born.

Has Nathy Peluso won a Latin Grammy?

Yes, she won a Latin Grammy for Best Alternative Music Album for “Calambre” in 2020, and she won again in the same category for “Grasa” in 2024. Both albums are among the most celebrated of her career.

Did Nathy Peluso work with Bizarrap?

Yes, Nathy Peluso recorded a BZRP Music Session with Bizarrap, one of the most important producers in Latin music. The session brought her music to an even larger global audience.

Is Nathy Peluso still making music today?

Yes, Nathy Peluso is still active, touring and recording across Latin America, Spain and the United States. She continues to grow as an artist, and her concerts remain famous for their energy and theatricality.