Will Arnett: The Life Story Behind the Lego Batman Star
In this post
A Toronto Boy Who Went to New York
Will Arnett was born in Toronto, Canada, on 4 May 1970, to Edith and Emerson Arnett, and he grew up in a comfortable, well-connected family, because his father was a businessman who served as the president of Molson Breweries, one of Canada’s largest beer companies, and his mother was involved in charity work, and the household valued education, good manners and hard work, yet Will was drawn to performance from a young age, through school plays, through comedy, and through a sense of humour that was dry, sarcastic and slightly rebellious, which would become his signature. He attended Lakefield College School, a boarding school in Ontario, and then the University of Toronto, where he studied briefly before deciding that acting was what he wanted to do, and he moved to New York to study at the Lee Strasberg Theatre and Film Institute, one of the most famous acting schools in America, where he learned the Method, a technique that emphasises emotional truth, and where he trained alongside other young actors who were also trying to make it in New York. The move to New York was a gamble, because the city was full of talented actors from around the world, all competing for the same few jobs, yet Will’s talent, his height, his deep voice and his comic timing helped him stand out, and he began to get work in television and in commercials, including a memorable commercial for a brand of beer, which is an irony, given his father’s career, and a sign that the Arnett family’s connection to beer would follow Will in unexpected ways. He spent the 1990s working in New York, taking small roles, doing voice work, and learning the craft of acting, which is a slow process, and one that requires patience, because the roles that come to a young actor are rarely the ones he wants, yet Will took them, and the experience, though it was not glamorous, taught him how to work on a set, how to take direction, and how to make a small part memorable, which is a skill that would define his career, because Will Arnett has always been an actor who makes a small part feel large.
His first regular television role came in 1999, in The Mike O’Malley Show, a sitcom starring the comedian Mike O’Malley, in which Will played Jimmy, a friend of the main character, and the show, though it was cancelled quickly, gave Will his first experience of working on a network sitcom, with a live audience, with a cast, and with the pressure of making people laugh every week, which is a discipline that few actors master, and that Will was learning. He also appeared in guest roles on shows like Sex and the City, in which he played a character in an episode, and in films, including a small role in the 2000 film The Broken Hearts Club, and each of these roles, though small, added to his résumé and to his reputation, because casting directors began to notice that Will Arnett was a reliable, funny actor who could be trusted with a part, even a small one, and that trust is the foundation of a career, because the actors who are trusted get called back, and the actors who are not do not. By the early 2000s, Will was a working actor in New York and Los Angeles, with a growing reputation, but he was still largely unknown outside the industry, and the role that would change that was one that placed him in a dysfunctional family, in a show that would become a cult classic, and that would make him famous, not as a leading man, but as a magician who could not do magic, a character who was, in many ways, the perfect expression of Will Arnett’s humour, which is dry, self-aware and slightly desperate.
The role was George Oscar Bluth II, known as Gob, in Arrested Development, a comedy series created by Mitchell Hurwitz, which first aired on Fox in 2003, and which told the story of the Bluth family, a wealthy, dysfunctional family in Orange County, California, whose patriarch, George Bluth Sr., played by Jeffrey Tambor, is arrested, and whose son Michael, played by Jason Bateman, must try to keep the family and the business together. Gob was Michael’s older brother, a magician who performed tricks that always went wrong, a man who was arrogant, insecure, and desperate for his father’s approval, and Will played him with a comic genius that made Gob one of the most loved characters in the show, because the audience could see, in Gob’s failed magic tricks, in his catchphrases, in his attempts to be cool, a man who was trying very hard and failing very publicly, which is a kind of comedy that is both funny and touching, because everyone has tried hard and failed. Arrested Development was a critical success, winning Emmy Awards, including Outstanding Comedy Series, yet it was cancelled by Fox in 2006 after three seasons, because its audience, though passionate, was small, and the show’s humour, which was dense, referential and fast-paced, was difficult for a mass audience to follow, yet the cancellation did not end the story, because the show was revived by Netflix in 2013 for a fourth season, and again in 2018 for a fifth, and the fans, who had discovered the show on DVD and on streaming, followed it, which is a testament to the quality of the work, and to Will’s performance as Gob, which has become one of the most quoted in television comedy, with lines like Come on! and I’ve made a huge mistake becoming part of popular culture.
Gob Bluth, Devon Banks and the Voice of BoJack
Arrested Development made Will Arnett a star, and the roles that followed showed the range that Gob had only hinted at, because Will could play not only a failed magician but a corporate villain, a voice actor, a leading man and a dramatic actor, and each of those roles added to the audience that had discovered him as Gob. In 2007 he joined the cast of 30 Rock, the NBC comedy created by Tina Fey, playing Devon Banks, a charming, ruthless NBC executive who was the nemesis of Jack Donaghy, played by Alec Baldwin, and Devon was a character who was smooth, ambitious and utterly without conscience, yet Will played him with a humour that made the audience love to hate him, because Devon was the kind of villain who enjoyed being a villain, and that enjoyment was contagious, which is why the character, though he appeared only in a handful of episodes, became one of the show’s most memorable, and why Will was nominated for Emmy Awards for his guest appearances. He also appeared in the sitcom Up All Night in 2011, playing Chris, a stay-at-home father, opposite Christina Applegate, and in The Millers in 2013, playing Nathan Miller, a recently divorced man who moves back in with his parents, and each of these roles was a leading one, which showed that Will could carry a sitcom as a leading man, not only as a supporting player, yet the shows themselves were not as successful as Arrested Development or 30 Rock, which is a reminder that a good actor cannot save a weak show, and that the show, not the actor, is what the audience remembers, which is a lesson that Will has learned well, because he has chosen his projects carefully since, preferring quality to quantity, and the roles that have defined him since have been the ones that were well-written, well-cast and well-made.
The role that defined Will Arnett’s career after Arrested Development, and that many people consider his finest, came in 2014, when he began voicing BoJack Horseman, the title character in the Netflix animated series BoJack Horseman, created by Raphael Bob-Waksberg, a show about a former television star, a horse, who is trying to find meaning in his life after fame, and who is depressed, self-destructive and deeply human, despite being a cartoon horse. BoJack was a character who was unlike any other in animation, because he was not a hero but an anti-hero, a man who had hurt the people he loved, who knew it, and who could not stop doing it, and Will voiced him with a depth, a humour and a sadness that made the character feel real, because the audience could hear, in Will’s voice, the weariness, the self-loathing and the occasional hope that defined BoJack, and that voice performance, which lasted for six seasons until 2020, earned Will praise as one of the finest voice actors working in television, because voice acting, which requires the actor to convey a character with sound alone, is a different skill from screen acting, and Will mastered it, which is why BoJack Horseman is now regarded as one of the greatest animated series ever made, and one of the greatest television series of any kind, because it dealt with depression, addiction, fame and love with an honesty that live-action television rarely achieves. The show’s success also gave Will a new audience, the viewers who watched animation, who had never seen Arrested Development, and who discovered him through BoJack, which is a reminder that a career can have many audiences, and that each new role can bring a new one, if the actor is willing to take it.
Alongside BoJack Horseman, Will built a career as a voice actor in film, most notably as Batman in The Lego Movie in 2014, a role he played with a gravelly, self-important voice that parodied the dark, serious Batman of Christopher Nolan’s films, and that became one of the film’s most popular elements, because the audience loved hearing Batman, the brooding hero, played as a vain, insecure man who loved his Batcave and his black outfits, and Will’s performance was so popular that he returned as Batman in The Lego Batman Movie in 2017, a spin-off that gave Batman his own film, and that was a commercial and critical success, because it was funny, heartfelt and visually inventive, and Will’s Batman, who learns to accept help from others, was the heart of it. He also voiced Mr. Perkins in Despicable Me in 2010, the villain who runs the Bank of Evil, and he appeared in live-action films, including Teenage Mutant Ninja Turtles in 2014, playing Vernon Fenwick, a cameraman, and its sequel in 2016, and in Blades of Glory in 2007, playing Stranz Van Waldenberg, a villainous figure skater, opposite Will Ferrell and Jon Heder, and each of these roles showed a different side of his talent, from voice work to live-action comedy, and the variety was the point, because Will Arnett has never been an actor who repeats himself, and the career he has built is one of constant change, from Gob to Devon to BoJack to Batman, each of them different, each of them memorable, and each of them played with the same dry humour, the same deep voice and the same belief that comedy is not about being loud but about being true.
Flaked, Murderville and SmartLess
In 2016 Will created and starred in Flaked, a Netflix comedy-drama about Chip, a man in Venice, California, who is a recovering alcoholic, a liar and a man trying to be better, and the show, which ran for two seasons, was a personal project for Will, because it dealt with addiction, with recovery and with the difficulty of changing, which are subjects he knew from his own life, and the performance, which was more dramatic than his previous work, showed a side of Will that audiences had not often seen, the side that is vulnerable, that is trying, and that is not always funny, which is a bravery that few comedians possess, because they prefer to stay in the safety of comedy, while Will was willing to be serious, to be sad, and to be honest about a difficult subject. Flaked was not a huge commercial success, yet it was praised by critics for its honesty, and it showed that Will could carry a drama as well as a comedy, which is a skill that the best comedians possess, because comedy and drama are two sides of the same coin, and the actor who understands one understands the other. In 2022 he starred in Murderville, a Netflix comedy series in which he played Terry Seattle, a detective who solves murders with the help of a celebrity guest star who is not given a script and must improvise, and the show’s format, which was based on a BBC series, was a perfect fit for Will’s improvisational skills, because he had learned improvisation at Second City, and the show’s humour came from the guests’ confusion, from Will’s reactions, and from the absurdity of a murder mystery solved by people who do not know what is happening, which is a premise that is both funny and clever, and that Murderville executed well, becoming a hit on Netflix and earning a second season.
Alongside his acting, Will has become a podcaster, co-hosting SmartLess, a podcast he created with Jason Bateman and Sean Hayes, in which the three hosts interview a celebrity guest, with one host knowing who the guest is and the other two not, and the show, which began in 2020, has become one of the most popular podcasts in the world, because the hosts are funny, curious and genuinely interested in their guests, and the conversations, which are unscripted and often surprising, reveal a side of celebrities that interviews rarely show, which is why the audience loves it. SmartLess has also become a business, with live tours, with a television adaptation, and with a book, and it has given Will a new kind of fame, as a podcaster, a conversationalist and a person who is interested in other people, which is a different kind of stardom from acting, because it is based on being himself, not on playing a character, and Will, who has always been a private person, has found that being himself, on a podcast, is a pleasure, not a burden, which is a sign of a man who is comfortable in his own skin. He was married to the actress Penelope Ann Miller from 1994 to 1995, and to the actress and comedian Amy Poehler from 2003 to 2016, with whom he has two sons, Archie and Abel, and the marriage to Poehler, who is one of the most beloved comedians in America, was followed by intense media attention, yet Will and Amy have remained on good terms, co-parenting their sons, and appearing together at family events, which is a mature response to a divorce that could easily have become a public battle, and a sign of two people who value their family more than their fame. As of the 2020s, Will Arnett remains one of the most respected comedic actors in the world, and his career, which began in Toronto, passed through New York, through Arrested Development, through BoJack Horseman, and through SmartLess, is still growing, still changing and still surprising audiences who thought they knew what he could do.
What the Career Adds Up To
Looked at as a whole, Will Arnett’s career has a shape that is easy to miss if you only remember one role, because it is the shape of a person who began as a boy in Toronto who loved comedy, moved to New York, became Gob Bluth, became Devon Banks, became BoJack Horseman, became Batman, and became a podcaster, and who did it all with the same dry humour, the same deep voice and the same belief that comedy is not about being loud but about being true, which is why he has lasted while other comedians have faded. He has played a magician, a corporate villain, a depressed horse, a superhero and a detective, and each of those characters was different, yet each of them was played with the same honesty, the same warmth and the same understanding that the audience loves a character who is trying, even when he is failing, which is a theme that runs through Will’s work, from Gob’s failed magic tricks to BoJack’s failed attempts to be good, and that is why his characters are loved, because they are human, and the audience recognises themselves in them. The through-line is not fame but voice, because Will Arnett’s voice, deep, dry and distinctive, is one of the most recognisable in entertainment, and it has carried him through live-action, through animation and through podcasting, which is a range that few actors achieve, because most actors are good at one medium, while Will is good at all of them, and that versatility is the foundation of his career, and the reason it has lasted for more than twenty-five years.
The Voice That Carries a Career
There is one more part of Will Arnett’s story that deserves attention, and it is the way his voice has carried his career, because his voice, deep, gravelly and dry, is one of the most distinctive in entertainment, and it has made him a sought-after voice actor, from Batman to BoJack, from Despicable Me to The Lego Movie, which is a career within a career, and one that Will has built with the same care as his screen work. Voice acting is a different skill from screen acting, because the actor must convey a character with sound alone, without a face, without a body, without a costume, and Will’s voice, which can be funny, sad, angry and warm, often in the same line, is perfectly suited to it, because the audience can hear, in his voice, the character’s thoughts, feelings and intentions, which is a form of acting that is both subtle and powerful. His work as BoJack Horseman is the clearest example, because BoJack is a character who is depressed, self-destructive and deeply human, and Will’s voice, which is weary, wry and occasionally hopeful, made the character feel real, even though he was a cartoon horse, which is a remarkable achievement, and one that earned Will praise as one of the finest voice actors of his generation. His story is a reminder that an actor’s voice is as important as their face, and that a voice that is distinctive, when it is used well, can carry a career, from a magician in Arrested Development to a horse in BoJack Horseman, and beyond, one line at a time.
A Comedian Who Grew Up
Will Arnett’s career has grown up with him, because the roles he played in his thirties, Gob and Devon, were men who were immature, arrogant and desperate for approval, while the roles he has played in his forties and fifties, BoJack, Chip in Flaked, and Terry Seattle in Murderville, are men who are older, wearier and more self-aware, and that growth, from immaturity to maturity, is the story of Will’s own life, from a young actor in New York to a father, a podcaster and a man in his fifties who has learned, through experience, what matters. He has spoken about his own struggles, about divorce, about fatherhood, and about the difficulty of balancing a career and a family, with a honesty that is refreshing, because he does not pretend that his life has been perfect, and he does not hide the difficulties he has faced, which is a maturity that the audience respects, because they have faced the same difficulties, and they recognise themselves in a man who is honest about them. His career is a reminder that a comedian can grow up, that the jokes can become deeper, the characters more complex, and the work more meaningful, without losing the humour, and that Will Arnett, who began as a magician who could not do magic, has become an actor who can do almost anything, which is a story worth telling, because it shows that growth, when it is honest, is the most interesting story of all.
My Take:
When I look at Will Arnett’s career, the first thing that strikes me is the voice, because his voice, deep, dry and gravelly, is one of the most distinctive in entertainment, and it has carried him through live-action, through animation and through podcasting, which is a range that few actors achieve, because most actors are good at one medium, while Will is good at all of them. I think his most important decision was the decision to take BoJack Horseman, because it was a voice role in an animated series about a depressed horse, a premise that could easily have been a joke, yet Will took it seriously, and the result was one of the greatest television series ever made, animated or otherwise, because BoJack was a character who was depressed, self-destructive and deeply human, and Will’s voice, which was weary, wry and occasionally hopeful, made the character feel real, even though he was a cartoon, which is a remarkable achievement. The show dealt with depression, addiction, fame and love with an honesty that live-action television rarely achieves, and Will’s performance was at its centre, because the audience could hear, in his voice, the character’s thoughts, feelings and intentions, which is a form of acting that is both subtle and powerful, and that earned Will praise as one of the finest voice actors of his generation. I also think his work as Gob Bluth deserves more attention, because Gob is a character who is arrogant, insecure and desperate for approval, yet Will played him with a comic genius that made the audience love him, because they recognised themselves in Gob’s failed magic tricks, in his attempts to be cool, and in his refusal to give up, which is a kind of comedy that is both funny and touching, because everyone has tried hard and failed, and Gob’s failure, played with such commitment, is a reminder that trying matters, even when it does not work.
The Arrested Development performance deserves a closer look, because it is the role that made Will Arnett famous, and the reason it worked was that Gob was not a hero but a man who was trying, and Will understood that trying, when it is played with total commitment, is funny, because the audience can see the effort, the desperation and the hope, all at once, and that combination, which is both comic and sad, is the hardest kind of comedy to play, because it requires the actor to be both funny and vulnerable, and Will was both. I notice that the best Gob scenes are the ones where his magic tricks fail, where he says Come on! with a mixture of frustration and hope, and where he tries to impress his father and fails, and those scenes work because Will played them with a sincerity that made Gob feel like a real person, not a caricature, which is why the audience, who had never met a magician like Gob, felt as if they knew him, because they had met people like him, people who try hard and fail publicly, and who keep trying, which is a universal experience. His work as Devon Banks in 30 Rock is another example, because Devon was a villain, a corporate executive who was smooth, ambitious and without conscience, yet Will played him with a humour that made the audience love to hate him, and the character, though he appeared only in a handful of episodes, became one of the show’s most memorable, which is a sign of an actor who can make a small part feel large, and that skill, which Will has shown again and again, is the foundation of his career, because the actors who can make a small part memorable are the actors who are always in demand.
What I admire most about Will Arnett is the versatility, because he has played a magician, a corporate villain, a depressed horse, a superhero and a detective, and each of those characters was different, yet each of them was played with the same dry humour, the same deep voice and the same belief that comedy is not about being loud but about being true. His work on SmartLess, the podcast he co-hosts with Jason Bateman and Sean Hayes, is another example of that versatility, because it shows a different side of him, the conversationalist, the person who is curious about other people, and who is willing to listen, which is a skill that many actors lack, because they prefer to talk, while Will prefers to listen, and that listening makes the podcast work, because the guests feel heard, and the audience feels as if they are part of a conversation, not a performance. I also think his role in Flaked matters, because it was a personal project, about addiction and recovery, and it showed a side of Will that audiences had not often seen, the side that is vulnerable, that is trying, and that is not always funny, which is a bravery that few comedians possess, because they prefer to stay in the safety of comedy, while Will was willing to be serious, to be sad, and to be honest. There are limits to what he has done, and I should name them, because he has never been a leading man in a major Hollywood film, and his film career, though it includes The Lego Movie and Teenage Mutant Ninja Turtles, has been a series of supporting and voice roles rather than leading roles in blockbusters, yet the fact that he has carried television series, animated series and a podcast suggests that the leading role he was waiting for was not in film but in television and in audio, and that the wait was worth it, because Gob, BoJack and SmartLess are leading roles in the truest sense.
For young actors, especially those from Canada, Will Arnett’s career is a useful map, because it shows that the way to survive is to be versatile, to work in live-action and in animation, in comedy and in drama, in television and in podcasting, and to do each of them well, because versatility is insurance against the changes in the industry. His path, from Toronto to New York to Los Angeles, from The Mike O’Malley Show to Arrested Development to BoJack Horseman to SmartLess, is a path that many actors have taken, and the lesson of it is that the training matters, the small roles matter, and the willingness to take a risk on a strange show like BoJack Horseman matters, because the strange show may become the defining work of your life. My honest view is that Will Arnett is one of the finest comedic actors of his generation, and that his career, taken as a whole, is stronger than any single role in it, because it is the story of a boy from Toronto who became a magician, a horse, a superhero and a podcaster, and who did it all without losing himself, which is a story worth remembering. The work continues, and the next chapter, whether it is a new season of SmartLess, a new film or a new series, will probably be as surprising as the last one, because Will Arnett has never done the expected thing twice, and he is still, in his fifties, learning, growing and making audiences laugh, one character at a time.
One more thing about Will Arnett deserves to be said, and it is the way he has handled fame, because he became famous slowly, one role at a time, and slow fame is healthier than sudden fame, because it gives the actor time to learn who he is before the world tells him who he should be. He has never been a tabloid figure, he has never courted controversy, and he has never seemed to need the audience’s love in order to feel valuable, and that steadiness is a form of strength that is easy to miss because it does not make headlines. I think his family life matters too, because he has two sons, Archie and Abel, with Amy Poehler, and the two have remained on good terms after their divorce, co-parenting their sons, which is a mature response to a difficult situation, and a sign of two people who value their family more than their fame. The story of Will Arnett is, in the end, a story about a boy from Toronto who loved comedy, who moved to New York, and who became one of the most recognisable voices in entertainment, and that is a story worth telling, because it shows that a career can be built on a voice, on humour and on hard work, and that those qualities, though they do not make headlines, are the ones that last.
Finally, I want to say something about BoJack Horseman, because it is the work that defines Will Arnett’s career, and it deserves to be remembered not only as an animated series but as a landmark in television, and the reasons for its importance are worth stating plainly. The show dealt with depression, addiction, fame and love with an honesty that live-action television rarely achieves, and Will’s voice performance was at its centre, because the audience could hear, in his voice, the character’s weariness, self-loathing and occasional hope, which made BoJack feel real, even though he was a horse. My honest view is that BoJack Horseman will be watched for many years, because its themes are timeless, and Will’s performance is the reason it works, because he made a cartoon horse feel like a person, and that is the highest compliment a voice actor can receive. When the history of television is written, BoJack Horseman will be in it, and Will Arnett’s name will be beside it, and that is a legacy worth having, because it is a legacy built on a voice, on humour and on the courage to be sad, which is a story worth telling.
I also want to reflect on SmartLess, because it is the most recent chapter in his career and it shows where he is now, as a man in his fifties who is curious about other people, who enjoys conversation, and who has found a new kind of fame, as a podcaster, which is a different kind of stardom from acting, because it is based on being himself, not on playing a character. The podcast’s success, with live tours, a television adaptation and a book, shows that Will’s appeal is not limited to the characters he plays, but includes the person he is, a funny, curious, thoughtful man who likes to talk to interesting people, and that appeal, which is personal, is likely to last longer than any single role, because it is based on who he is, not on who he plays. I think SmartLess will be an important part of his legacy, because it shows that an actor can reinvent himself, can find a new audience, and can do it by being himself, which is a lesson that many actors, who are afraid to be themselves in public, would do well to learn.
One last thought on Will Arnett concerns his Canadian identity, because he was born in Toronto, raised in Canada, and became a star in America, yet he has never lost his Canadian humour, which is dry, self-deprecating and polite, even when it is sarcastic, and that humour, which is distinctively Canadian, is part of what makes his performances work, because the audience can hear, in his voice, a person who is funny without being cruel, which is a rare quality in American comedy, where humour is often loud and aggressive. I believe his legacy will be as a Canadian who succeeded in America without ceasing to be Canadian, and that is a story that should encourage any young person from a small place who dreams of a bigger stage, because the distance, which once seemed impossible, turns out to have been crossable all along, by a boy from Toronto who loved comedy and who kept working, one role at a time.
Finally, I think Will Arnett’s story offers a lesson about growth, because his career has grown up with him, from Gob, a man who was immature, to BoJack, a man who was trying to be better, to Chip in Flaked, a man who was in recovery, and that growth, from immaturity to maturity, is the story of Will’s own life, and it is a story that the audience recognises, because they too have grown up, have made mistakes, and have tried to be better. My honest view is that his career is a triumph of growth, of a comedian who refused to stay the same, who kept learning, who kept trying new things, and who became, in the process, one of the most interesting actors of his generation, and that is a story worth celebrating, because it shows that a career, when it is lived honestly, is not a series of roles but a life, and that Will Arnett’s life, from Toronto to New York to Los Angeles, is a life worth telling, one character, one voice and one conversation at a time.
Frequently Asked Questions
Where was Will Arnett born?
Will Arnett was born in Toronto, Canada, on 4 May 1970, to Edith and Emerson Arnett. His father was president of Molson Breweries. He studied at the Lee Strasberg Theatre and Film Institute in New York.
Who did Will Arnett play in Arrested Development?
He played George Oscar Bluth II, known as Gob, a magician whose tricks always went wrong, in Arrested Development, which first aired on Fox in 2003 and was later revived by Netflix.
Who did Will Arnett voice in BoJack Horseman?
He voiced BoJack Horseman, the title character, a former television star who is a horse, in the Netflix animated series BoJack Horseman, which ran from 2014 to 2020.
Who did Will Arnett play in 30 Rock?
He played Devon Banks, a charming, ruthless NBC executive and the nemesis of Jack Donaghy (Alec Baldwin), in 30 Rock, earning Emmy nominations for his guest appearances.
Who did Will Arnett voice in The Lego Movie?
He voiced Batman in The Lego Movie (2014) and in The Lego Batman Movie (2017), playing the character as a vain, self-important hero.
What is SmartLess?
SmartLess is a podcast co-hosted by Will Arnett, Jason Bateman and Sean Hayes, begun in 2020, in which they interview a celebrity guest. It has become one of the most popular podcasts in the world.
What is Murderville?
Murderville is a Netflix comedy series from 2022 in which Will Arnett plays Terry Seattle, a detective who solves murders with a celebrity guest star who must improvise without a script.
What is Flaked?
Flaked (2016) is a Netflix comedy-drama created by and starring Will Arnett as Chip, a recovering alcoholic in Venice, California, who is trying to be a better person.
