Zhang Ruoyun: The Life Story Behind China's Clever Star
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Zhang Ruoyun is the clever one. That is how fans talk about him, and it is how his most famous character talks too. As Fan Xian in Joy of Life, he plays a young man who is witty, who reads people quickly, who survives in a dangerous court by thinking faster than everyone else, and who hides a kind heart behind a clever smile. That character fits Zhang Ruoyun well, because in real life he is known as a thoughtful, well-read, and funny actor, a man who grew up in a film family, who studied acting seriously, and who built his career by choosing smart scripts, not only popular ones. His story is about intelligence, patience, and the choice to be clever rather than loud.
He was born in Beijing in 1988, the son of the director and producer Zhang Jian, and he grew up around film sets, around scripts, around people who talk about stories for a living. That childhood gave him a head start, but it also gave him a burden. People expect the son of a director to succeed easily, and they watch him more closely, waiting for him to fail. Zhang Ruoyun did not fail. He studied at the Beijing Film Academy, he took small roles, he worked hard, and he built his own name, step by step, until Joy of Life made him a star. His father helped him, as any father would, but the work was his own, and the success was earned, not given.
His career has included war dramas, detective stories, fantasy epics, and modern tales, and he has become known as an actor who can play a clever man in any world. He is not a typical idol. He is a reader, a thinker, a person who likes a good script, and that love of scripts shows in his choices. Joy of Life is a clever drama, full of twists, full of humour, full of politics, and Zhang Ruoyun plays it with a lightness that makes the audience laugh and think at the same time. That is a rare skill, and it is why his story is worth telling.
Growing Up in a Film Family
Zhang Ruoyun was born on 24 August 1988 in Beijing, the capital of China, and his father, Zhang Jian, was a director and producer, a man who worked in film and television. Growing up in a film family means growing up around stories. It means hearing scripts discussed at dinner, seeing actors come and go, visiting sets, and learning, without being taught, how a film is made. Zhang Ruoyun grew up in that world, and it gave him a natural understanding of acting, of directing, of what makes a story work. He did not have to learn those things from a book. He learned them by watching, by listening, by being there.
That childhood also had a harder side. When your father is a director, people expect you to succeed, and they watch you more closely. They say, he only got the role because of his father, or, he will never be as good as his father. Those words are unfair, but they are real, and Zhang Ruoyun heard them. He had to prove, again and again, that he was not only his father’s son, but his own actor, with his own talent, his own choices, and his own hard work. That proving took years, and it made him stronger, because he learned to work harder than people expected, to prepare more carefully, to choose scripts that showed his own mind.
He studied at the Beijing Film Academy, where he learned acting seriously, and he was a good student, known for his intelligence and his sense of humour. At school, he was not only the director’s son. He was a student, and he had to work like any other student, to learn voice, movement, history, and the art of building a character. That time at school gave him a foundation that his childhood had not given him, a formal training to match his informal learning on sets. He learned to act as a professional, not only as a boy who grew up around film, and that learning prepared him for the long career that followed.
His family life was not simple, as is often the case in film families, and he has spoken, in general terms, about a childhood that was not always easy. But he does not dwell on those difficulties in public. He focuses on his work, on his scripts, on his characters, and that focus is part of his character. He is a man who looks forward, not backward, and who lets his acting speak for his past, rather than his past speaking for his acting.
Early Work and the First Steps
Zhang Ruoyun’s first work on screen came in the 2000s, when he appeared in television dramas in supporting roles. These early parts were not famous, and many viewers today would not remember them. But they mattered, because they taught him how to act in front of a camera, how to work on a set, and how to build a character over many episodes. He played in war dramas, in family stories, in modern tales, and he learned how to play different kinds of men, from soldiers to students to young professionals.
One of his early notable roles was in Snow Leopard, a war drama from 2010, in which he played a young soldier in a story about resistance and courage. The drama was a success, and it showed that Zhang Ruoyun could play a serious, dramatic role, not only a light or funny one. War dramas are demanding, because they ask an actor to show fear, bravery, and loss, often in the same scene, and Zhang Ruoyun played those emotions with an honesty that viewers noticed. That early success gave him confidence, and it gave directors confidence in him, that he could be trusted with a larger part.
After Snow Leopard, he took roles in other dramas, including detective stories and modern tales, and he began to build a reputation as a reliable young actor, a person who arrives prepared, who works hard, and who treats his co-stars with respect. That reputation is valuable in an industry where many young stars are known for being difficult. Zhang Ruoyun is known for being professional, and that professionalism has helped him to keep working, year after year, without a major fall. He did not rush to fame. He built it, role by role, and he waited for the right part.
The turning point was still to come, but he was ready for it. He had the training, the experience, and the patience, and he needed only a script that would let him show his wit, his humour, and his intelligence all at once. That script was coming, in the form of a novel about a young man who is reborn in a fantasy world, who must survive by being clever, and who will become one of the most loved characters in Chinese television.
Joy of Life and Fan Xian
In 2019, Zhang Ruoyun starred in Joy of Life, a fantasy drama based on a popular novel, and he played Fan Xian, a young man who is born in a modern world, who dies, and who is reborn in an ancient world, where he must use his modern knowledge, his wit, and his courage to survive in a dangerous court. The role was long, complex, and demanding, and it asked the actor to be funny, clever, brave, and kind, often in the same episode. Zhang Ruoyun played Fan Xian with a lightness that viewers loved, and the drama became a huge hit, both in China and abroad.
Joy of Life worked because it was a clever story, well written, well acted, and full of twists. Fan Xian is not a typical hero. He is a modern man in an ancient world, a person who knows things that no one else knows, who makes jokes that no one else understands, and who must hide his true self while trying to do the right thing. Zhang Ruoyun played him with a humour that made the audience laugh, and with a seriousness that made them care. The drama’s success made Zhang Ruoyun a star, and it gave him a character that fans still associate with him today.
The drama also showed his range. Fan Xian is funny, but he is also sad, angry, and brave, and Zhang Ruoyun played all of those sides without losing the character’s core. He did not make Fan Xian a perfect hero. He made him a person who tries, who fails, who tries again, and who learns. That humanity is what made the drama last, and it is what made Fan Xian a beloved character, not only a clever one. The drama’s songs, scenes, and lines became part of popular culture, and Zhang Ruoyun’s face became the face of the story.
After Joy of Life, he became a leading man, and he was offered more leading roles. He had waited for years, through small parts and supporting roles, and the wait had paid off. He was now a star, and he had earned that title through work, not through luck, and through a performance that showed his wit, his humour, and his intelligence all at once.
Sword Snow Stride and the Wandering Hero
In 2021, Zhang Ruoyun starred in Sword Snow Stride, a fantasy drama based on a popular novel, in which he played Xu Fengnian, a young prince who pretends to be a fool, who travels the world, who learns martial arts, and who must grow into a leader. The role was different from Fan Xian. Xu Fengnian is not a modern man in an ancient world. He is a prince who hides his intelligence, who plays the fool to survive, and who slowly reveals his true strength. Zhang Ruoyun played him with a humour and a depth that viewers loved, and the drama became a success, showing that he could carry another long fantasy epic.
Sword Snow Stride mattered because it proved that Joy of Life was not a one-time success. Zhang Ruoyun could play another clever hero, in another world, and make the audience love him again. Xu Fengnian is a wanderer, a traveller, a man who learns from the road, from the people he meets, from the fights he wins and loses. That journey, from fool to leader, is a classic story, and Zhang Ruoyun played it with a patience that suited the character. He did not rush the change. He let it grow, episode by episode, until the audience could see the prince becoming a king.
The drama also showed his physical skill. Xu Fengnian must fight, must ride, must travel, and Zhang Ruoyun prepared for the part with training, learning how to move like a swordsman, how to fight, how to stand in a costume that is both beautiful and heavy. That preparation is visible on screen, in the way he holds a sword, in the way he walks, in the way he turns. It is a different kind of acting from playing Fan Xian, who relies more on wit than on swordplay, and it showed that Zhang Ruoyun was willing to learn new skills for a role, to work hard, and to grow as an actor.
After Sword Snow Stride, he continued to take leading roles, and his reputation as a fantasy leading man grew. He became known as an actor who can play a clever hero in any world, who can make a long drama feel fresh, and who can carry a story that is both funny and serious. That reputation is valuable, and it has kept him busy, year after year, with new projects that test his range.
Joy of Life Season Two and the Return
In 2024, Zhang Ruoyun returned as Fan Xian in Joy of Life Season Two, a drama that fans had waited for for five years. The return was a major event in Chinese television, because the first season had ended on a cliffhanger, and viewers had waited a long time to see what would happen next. Zhang Ruoyun returned to the role with a maturity that reflected his own growth, and the second season became a huge success, breaking records and becoming one of the most watched dramas of its year.
Joy of Life Season Two mattered because it showed that a long wait can be worth it, and that a character can grow with the actor who plays him. Fan Xian in the second season is older, wiser, and more burdened than he was in the first, and Zhang Ruoyun played that change with a depth that viewers noticed. He was no longer the young man who had just arrived in a new world. He was a man who had lived in that world, who had lost, who had loved, and who had learned. That growth, from season one to season two, is a rare thing in television, and it is a sign of an actor who has grown with his character.
The second season also showed Zhang Ruoyun’s ability to carry a drama that is both popular and complex, a story full of politics, of family, of love, and of humour. He played Fan Xian with the same lightness he had brought to the first season, but with a new weight, a new seriousness that suited the story. The audience responded, and the drama became a cultural moment, discussed widely, shared widely, and loved widely. For Zhang Ruoyun, it was a return to the role that made him, and it was a return that proved he had not lost his touch.
Since then, he has continued to work, taking on new dramas and new challenges, while keeping Fan Xian as the character that defines his career. That is a good place to be, a star with a defining role, but also a star who is still growing, still choosing, still looking for the next clever script.
Marriage, Family, and a Life Beyond the Screen
Zhang Ruoyun married the actress Tang Yixin in 2019, and their wedding was a happy event in Chinese entertainment. They had been together for many years, and their relationship was known to fans, who loved them as a couple. Their daughter was born in 2020, and Zhang Ruoyun became a father, a new role that changed his life in a way that no acting role could. He has spoken about his family with love and with pride, and he has tried to balance his work with his life as a husband and a father.
That balance is hard for any actor, especially one who works long hours on location, far from home. Zhang Ruoyun handles it by working hard when he is on set, and by returning home when he can, to be with his wife and daughter. He does not talk about his family in a loud way, but he does not hide them either. That middle path, open but not loud, is a wise one, and it shows that he values both his career and his life, and that he does not want one to destroy the other.
His marriage has also changed how people see him. He is no longer only Fan Xian, the clever young man in a fantasy world. He is a husband and a father in real life, a man who knows what love means beyond a script. That knowledge can be felt in his performances, in the way he plays a lover, a husband, a father, with a depth that comes from living, not only from acting. A man who has loved in real life plays love differently from a man who has only read about it, and Zhang Ruoyun’s performances show that difference.
He continues to work, taking on new dramas, new roles, and new challenges, while keeping his family close. That is a good model for a long career, one that is built on work, on love, and on a life that is not only about fame. He has already played many clever men, and he will likely play many more, but his most important role, as a husband and a father, is one that he plays every day, off screen, without an audience.
What Cleverness Really Means
Zhang Ruoyun is often called clever, and the word is used so often that it can start to sound empty. But in his case, cleverness has a real meaning. It means reading a script carefully, choosing a role wisely, playing a character with wit and with heart, and knowing when to be funny and when to be serious. It means growing up in a film family and learning to think about stories, not only about fame. It means studying at the Beijing Film Academy and learning the craft, not only relying on talent. Cleverness, for Zhang Ruoyun, is not a trick. It is a habit, built over many years, of thinking before acting, of choosing before rushing.
There is also a cost to being known as clever. Audiences expect wit in every role, and they can be disappointed when an actor plays a simple or sad character. Zhang Ruoyun has faced that expectation, and he has answered it by choosing roles that show different sides of his talent, from a soldier in Snow Leopard to a prince in Sword Snow Stride to a father in real life. That variety matters, because it shows that cleverness is not the only thing he can do. He can also be brave, sad, angry, and kind, and he can play those emotions with honesty.
His story also shows that a film family can be both a help and a burden. His father gave him a start, but he had to prove himself, again and again, that he was more than his father’s son. That proving took years, and it made him stronger, because he learned to work harder, to prepare more, to choose better. That is a lesson for anyone who starts with an advantage. An advantage is not a guarantee. It is a chance, and a chance must be used well, or it is wasted. Zhang Ruoyun used his chance well, and his career proves it. His story also shows that a film family can be both a help and a burden. His father gave him a start, but he had to prove himself, again and again, that he was more than his father’s son. That proving took years, and it made him stronger, because he learned to work harder, to prepare more, to choose better. That is a lesson for anyone who starts with an advantage. An advantage is not a guarantee. It is a chance, and a chance must be used well, or it is wasted. Zhang Ruoyun used his chance well, and his career proves it. What is often missed is how much his love of reading helps him as an actor. A reader learns to imagine, to think, to understand a character from the inside, to see the world through another person’s eyes. Zhang Ruoyun is known as a reader, a thinker, a person who likes a good script, and that love of books shows in his choices, in Joy of Life, in Sword Snow Stride, in dramas based on novels that are clever, witty, and full of twists. He chooses books, not only scripts, and that choice makes his career feel like a library, each drama a new book, each character a new chapter.
My Take:
I like Zhang Ruoyun because he is clever, and I mean clever in the best sense of the word. He is not clever in a cold, calculating way. He is clever in a warm, funny, human way, the way Fan Xian is clever, using wit to survive, using humour to hide pain, using intelligence to protect the people he loves. That is a kind of cleverness I admire, because it is not about showing off. It is about surviving, about thinking faster than danger, about finding a way through a difficult world with a smile. Zhang Ruoyun plays that cleverness with a lightness that makes me laugh, and with a depth that makes me care, and that combination is rare.
Joy of Life is the drama that made me love his work, and I want to say why. Fan Xian is a modern man in an ancient world, a person who knows things no one else knows, who makes jokes no one else understands, and who must hide his true self while trying to do the right thing. That is a lonely life, and Zhang Ruoyun played that loneliness with a humour that made it bearable. He made Fan Xian funny, but he also made him sad, and that sadness is what stayed with me. A funny hero is easy to love. A funny hero who is also sad is easy to remember, and Fan Xian is remembered, because Zhang Ruoyun gave him both sides.
I also think about his childhood in a film family, and I feel sympathy for him. Growing up as a director’s son means growing up with expectations, with people watching, with whispers that you only got a role because of your father. That is a hard way to grow up, because it means you must prove yourself again and again, even when you have already proved yourself. Zhang Ruoyun proved himself, not by arguing, but by working, by studying, by choosing smart scripts, and by playing Fan Xian so well that no one could say he did not earn the role. That is a quiet victory, and I respect it, because it is harder than a loud victory.
Sword Snow Stride is another role I admire, because Xu Fengnian is a prince who pretends to be a fool, who travels, who learns, who grows into a leader. That journey, from fool to king, is a classic story, and Zhang Ruoyun played it with a patience that suited the character. He did not rush the change. He let it grow, episode by episode, until the audience could see the prince becoming a man. That patience is a lesson. Many young actors want to show their growth in a single scene. Zhang Ruoyun shows it over a whole drama, slowly, and that slowness makes it believable.
I want to be honest about what I find limiting. Many of his roles are clever heroes in fantasy worlds, and many of them are similar, witty, brave, kind men who survive by thinking. I wonder if he will play a villain, a simple man, a modern worker, a person who is not clever at all. I hope he does, because I think he has more to show, and because a star who only plays clever heroes will eventually need to grow. He is in his thirties now, and the next decade will ask him to play different kinds of men. I think he can do it, if he chooses to, and I hope he chooses to, because growth is how an actor lasts.
What can a reader learn from him? I think the first lesson is that cleverness is a habit, not a gift. You learn it by reading, by thinking, by choosing good scripts, by preparing carefully. The second lesson is that humour and sadness can live together. Fan Xian is funny and sad, and that combination makes him human. Do not hide your sadness behind a joke, and do not hide your humour behind sadness. Let them live together, as Zhang Ruoyun does. The third lesson is that an advantage is not a guarantee. He grew up in a film family, but he still had to work, to study, to prove himself. If you start with an advantage, use it well, work harder, choose better, and earn your place.
I also think about young people who love books and stories, who dream of acting, who feel clever but not loud. I would tell them to look at Zhang Ruoyun. He is not the loudest star. He is the cleverest, the wittiest, the most thoughtful, and that is enough. You do not have to shout to be heard. You can be clever, funny, and kind, and the audience will come to you, as they have come to him.
In the end, I see Zhang Ruoyun as a man in an old library, standing beside a desk with an open book, a lamp, and candles, calm, thoughtful, and alone with his thoughts. That image stays with me, because it is a picture of his whole career. He stands among books, he reads, he thinks, he chooses, and he acts when the time is right. I hope his next choices take him to new stories, to new kinds of men, to new challenges, because he has earned the right to choose, and because I want to see what a clever, funny, and thoughtful actor can do when he is fully free. He has already shown that a clever man can be a hero. Now I want to see what else a clever man can be.
I keep thinking about Joy of Life, and about Fan Xian, a modern man in an ancient world, a person who knows things no one else knows, who makes jokes no one else understands, and who must hide his true self while trying to do the right thing. That is a lonely life, and Zhang Ruoyun played that loneliness with a humour that made it bearable. He made Fan Xian funny, but he also made him sad, and that sadness is what stayed with me. A funny hero is easy to love. A funny hero who is also sad is easy to remember, and Fan Xian is remembered, because Zhang Ruoyun gave him both sides, laughter and tears, wit and pain, in the same episode, sometimes in the same scene. That balance is hard to achieve, and he achieved it, because he understands that life is both funny and sad, often at the same time.
The five-year wait for Joy of Life Season Two deserves more thought, because waiting is hard, especially when fans ask every day when the next season will come, when the story will continue, when Fan Xian will return. Zhang Ruoyun waited, he worked on other dramas, he became a father, he grew older, and then he returned to Fan Xian with a maturity that reflected his own growth. Fan Xian in the second season is older, wiser, more burdened, and Zhang Ruoyun played that change with a depth that viewers noticed. He was no longer the young man who had just arrived in a new world. He was a man who had lived in that world, who had lost, who had loved, who had learned. That growth, from season one to season two, is a rare thing in television, and it is a sign of an actor who has grown with his character, who has not frozen in time, who has lived and learned, and who brings that living to his work.
Sword Snow Stride is another role that stays with me, because Xu Fengnian is a prince who pretends to be a fool, who travels the world, who learns martial arts, and who must grow into a leader. That journey, from fool to king, is a classic story, and Zhang Ruoyun played it with a patience that suited the character. He did not rush the change. He let it grow, episode by episode, until the audience could see the prince becoming a man. That patience is a lesson. Many young actors want to show their growth in a single scene. Zhang Ruoyun shows it over a whole drama, slowly, and that slowness makes it believable, because real growth is slow, it is not a single moment, it is a series of small changes, a series of choices, a series of lessons learned on the road.
Snow Leopard, his early war drama, deserves a thought too, because it showed him as a young soldier, a person who must be brave, who must face fear, who must lose friends, and who must keep going. That is a serious role for a young actor, and he played it with an honesty that viewers noticed. War is not a game, it is a serious subject, and a young actor must play it with respect, with discipline, with an understanding that the story belongs to real people who suffered. He played it with that respect, and the drama became a success, and it gave him confidence, and it gave directors confidence in him, that he could be trusted with a larger part, with a more serious story, with a character who must carry pain.
One more lesson, about being a director’s son. Growing up in a film family means growing up with expectations, with people watching, with whispers that you only got a role because of your father. That is a hard way to grow up, because it means you must prove yourself again and again, even when you have already proved yourself. Zhang Ruoyun proved himself, not by arguing, but by working, by studying, by choosing smart scripts, and by playing Fan Xian so well that no one could say he did not earn the role. That is a quiet victory, and I respect it, because it is harder than a loud victory, and it lasts longer, because it is built on work, not on words. One more thought stays with me, about the way he handles being a director’s son. Growing up in a film family means growing up with expectations, with people watching, with whispers that you only got a role because of your father. That is a difficult childhood, because it asks you to prove your worth over and over, even after you have already proved it. Zhang Ruoyun showed his worth, not by arguing, but by working, by studying, by picking clever scripts, and by playing Fan Xian so well that no one could claim he had not earned the part. That is a quiet victory, and I respect it, because it is harder than a loud victory, and it lasts longer, because it is built on work, not on words. An advantage is not a guarantee. It is an opening, and an opening must be used well, or it is lost. He used his chance well, and his career proves it, from Snow Leopard to Joy of Life to Sword Snow Stride to a second season that fans waited five years to see.
There is also a lesson in the way he loves books. He is known as a reader, a thinker, a person who likes a good script, and that love of books shows in his choices, in Joy of Life, in Sword Snow Stride, in dramas based on novels that are clever, witty, and full of twists. He chooses books, not only scripts, and that choice makes his career feel like a library, each drama a new book, each character a new chapter. A reader learns to imagine, to think, to understand a character from the inside, to see the world through another person’s eyes. Zhang Ruoyun does that, in every role, and that is why Fan Xian feels like a real person, not only a clever hero, but a man who reads, who thinks, who jokes, who loves, who is sad, and who keeps going, even when the world around him is dangerous and unfair.
I want to talk about the five-year wait for Joy of Life season two, because waiting is the hardest part of any popular drama. Fans waited for years, they asked for news, they rewatched the first season, and they wondered if the story would ever continue. When the second season finally came, it broke records, and Fan Xian returned, older, sharper, and still funny. Zhang Ruoyun had to carry that return, and he did it well. He stepped back into a character he had played years before, and he made him feel like the same man, only wiser. That is a hard thing to do. An actor changes in five years, his face changes, his voice changes, and still he must make the audience believe that no time has passed in the story. He did it, and the audience rewarded him.
Fan Xian himself is a wonderful character, and I think Zhang Ruoyun was born to play him. Fan Xian is a modern mind in an ancient world, a young man who knows things nobody else knows, who uses wit to survive, who jokes when he is afraid, and who protects the people he loves with cleverness instead of only with a sword. Zhang Ruoyun plays that cleverness with warmth, not with cold pride. His Fan Xian is funny, kind, and brave, and he makes the audience laugh even in dark moments. That humour is a gift, because a drama about politics and power can become heavy and dull, and Fan Xian keeps it light, keeps it human, keeps it moving.
Sword Snow Stride gave him a different hero, Xu Fengnian, a prince who travels the martial world, who is rough, funny, and stubborn, a young man who pretends to be lazy but is learning to be strong. It is a long journey, a story about growing up on the road, meeting strange people, fighting, losing, and learning. Zhang Ruoyun played him with a relaxed energy, a man who does not take himself too seriously, and that made the long drama easy to watch. I like that he chose a wandering hero after Fan Xian, because it shows he is not afraid of a long story, a story that takes its time, a story where the hero grows slowly instead of winning everything at once.
Being a director’s son is a part of his life that people talk about, and I want to say it plainly. His father is a well-known director, and that means Zhang Ruoyun grew up on film sets, around cameras and actors, with people watching him and whispering that he only got roles because of his father. That is a tough way to grow up, because it means you must show your worth again and again, even after you have already shown it. He proved himself not by arguing, but by working, by studying acting, by taking small roles first, and by making Fan Xian so good that nobody could say the role was a gift. Hard work is the best answer to doubt, and he gave that answer.
He is married to Tang Yixin, and they have a daughter, and he keeps that family life quiet, and I respect that quiet. He does not sell his family to the public. He works, he goes home, and he protects the people he loves from the noise. In the end, what I take from Zhang Ruoyun is that cleverness is not a trick. It is a way of living. Fan Xian survives by thinking, by laughing, by caring for others, and by refusing to become cruel even when the world is cruel. Zhang Ruoyun plays that with a smile, and he lives his own life the same way, working hard, staying kind, and letting the work speak for itself. That is a good example for any young person who wants to be clever in the best sense of the word. One more thought stays with me, about the way he handles being a father while playing clever heroes. A father learns patience in a way that no script can teach, waiting for a child to sleep, to eat, to grow, to learn, and that patience shows in his recent work, in the way Fan Xian waits for the right moment, in the way Xu Fengnian travels slowly and learns from the road. I think fatherhood has made him a better actor, because it has taught him that some things cannot be rushed, that a child grows in her own time, that a story grows in its own time, and that a man who can wait, who can listen, who can be patient, is a man who can play any role well. I hope he keeps that patience, keeps his family close, keeps choosing clever scripts, because the combination of a thoughtful father and a clever actor is a rare one, and it is one that will serve him well in the next decade, as he grows older, as his daughter grows older, and as his characters grow older with him.
Frequently Asked Questions
When was Zhang Ruoyun born and who is his father?
Zhang Ruoyun was born on 24 August 1988 in Beijing. His father, Zhang Jian, is a director and producer, so he grew up around film sets and scripts.
What role made Zhang Ruoyun a star?
His role as Fan Xian in Joy of Life in 2019 made him a star. Fan Xian is a witty young man reborn in an ancient world who must survive in a dangerous court.
What is Joy of Life Season Two?
Joy of Life Season Two, from 2024, continues Fan Xian’s story five years after the first season ended on a cliffhanger. It became one of the most watched Chinese dramas of its year.
Who did Zhang Ruoyun play in Sword Snow Stride?
In Sword Snow Stride from 2021, he played Xu Fengnian, a prince who pretends to be a fool, travels the world, and slowly grows into a leader.
Is Zhang Ruoyun married?
Yes, he married actress Tang Yixin in 2019, and their daughter was born in 2020. He balances his acting work with his life as a husband and father.
What was Zhang Ruoyun’s early notable drama?
He appeared in Snow Leopard, a war drama from 2010, playing a young soldier. The role showed he could handle serious, dramatic acting early in his career.
