Beren Saat: The Life Story Behind Turkey's Beloved Star

Beren Saat is one of the most loved actresses in Turkey, a star whose face, whose voice, and whose performances have carried some of the biggest Turkish series of the last twenty years. She played Bihter in Aşk-ı Memnu, Fatmagül in Fatmagül’ün Suçu Ne, Kösem in Muhteşem Yüzyıl: Kösem, and Atiye in The Gift, four characters who are very different, but who share a quality that Beren brings to every role, a strength, a vulnerability, and an honesty that makes audiences believe her.

She was born in Ankara, and she came to Istanbul as a young woman, first through a television acting contest, then through hard work, and she built her career slowly, one role at a time, until she became a star. She did not become famous overnight. She studied, she worked, she learned, and she waited for the right parts, and when they came, she was ready, and she made them unforgettable.

What makes her story worth telling is how she turned beauty into serious acting, and how she chose roles that were hard, that asked difficult questions, and that made audiences think, as well as feel. She played a woman in a forbidden love, a woman who survives a terrible crime, a sultan’s wife, and a woman with a mysterious gift, and each role showed a different side of her talent, and each one made her more loved.

This is the story of a girl from Ankara who became one of Turkey’s most famous actresses, a woman whose series are watched in many countries, and whose name is known in homes around the world, a star who is also a wife, a friend, and a person who cares deeply about the world around her.

Ankara, a Loving Family, and a Girl With a Dream

Beren Saat was born on 26 February 1984 in Ankara, the capital of Turkey, into a loving family, and she grew up in the city, going to school, playing with friends, and dreaming of a life on stage, even though she did not yet know how to make that dream real. Her family was supportive, and they encouraged her to study, to learn, and to follow her interests, and they gave her the confidence to try new things, and to believe in herself.

As a girl, she was bright, curious, and drawn to performing, and she liked to act, to sing, and to tell stories, and she had a natural presence that made people watch her. She took part in school plays, she performed for her family, and she dreamed of becoming an actress, a dream that seemed distant, but that she held on to, with a quiet determination that would later define her career.

She went to school in Ankara, and she studied hard, and she was a good student, with an interest in literature, in history, and in the arts, and she learned to think carefully, to be patient, and to pay attention to detail. Her family supported her education, and they encouraged her to go to university, and to study, even though they did not know that she would one day become a famous actress.

The Ankara of her youth was a city of government, of universities, and of young people with dreams, and a girl who grew up there learned that hard work could take her far, and that education was the way to a better life. Beren learned that lesson, and she carried it with her to Istanbul, where she would need it, when she started a new life in a new city, far from home.

Her family also taught her something important, which is that a person should be kind, honest, and true to herself, and that fame should not change who you are. She has kept that lesson throughout her career, and she has spoken about her family with love and gratitude, and that humility is a part of why audiences love her.

University, an Acting Contest, and a First Chance

After finishing school, Beren went to Başkent University in Ankara, where she studied business administration, a serious subject, and one that showed her intelligence, and her ability to think clearly. But her heart was in acting, and she knew that she wanted to perform, and she began to look for a chance to be noticed, to audition, and to show what she could do, even while she was still a student.

In 2004, she entered Türkiye’nin Yıldızları, a television acting contest in Turkey, in which young actors competed for a chance to work in television, and she finished as the runner-up, a result that gave her attention, and that opened doors, because casting directors noticed her, and they saw that she had talent, presence, and a natural ability to act. It was a turning point, and it gave her the first chance she needed.

She began to take small roles in television, learning on set, watching other actors, and building her confidence one scene at a time, and she did it seriously, because she understood that a contest win was not enough, and that she had to learn the craft, to practise, and to earn respect as an actress, not just as a beautiful young woman. She was a disciplined student, and she worked hard.

Her first major role came in the series Aşka Sürgün in 2005, and then in Hatırla Sevgili, and she began to build a name, as a young actress with talent, and with a screen presence that made audiences watch her. She was still young, but she was already a professional, and she was ready for the part that would make her a star.

By the late 2000s, she was a rising star in Turkish television, with a growing audience, and with a reputation for hard work, and for choosing roles that challenged her. She had come from Ankara, through a contest, to Istanbul, and she had made a name for herself, by acting, by learning, and by being ready when the chance arrived.

Aşk-ı Memnu and Bihter, the Role That Made Her a Star

In 2008, Beren was cast as Bihter Ziyagil in Aşk-ı Memnu, which means Forbidden Love, a series based on a famous Turkish novel, about a young woman, Bihter, who marries a rich older man, Adnan, and then falls in love with his nephew, Behlül, in a passionate and tragic affair, that ends in heartbreak. The series was a huge success in Turkey, and it ran for two seasons, and it made Beren a star, because Bihter was a character audiences loved and hated, a woman who was beautiful, intelligent, and flawed, and who made choices that destroyed her.

She played Bihter with a depth, a passion, and a vulnerability that made the character unforgettable, a woman who wanted love, who wanted freedom, and who could not find it, and who paid a terrible price for her choices. She was not a simple heroine. She was a complex woman, with desires, with fears, and with a moral struggle, and Beren played her with a skill that surprised critics, and with a screen presence that made audiences watch every scene.

Aşk-ı Memnu was watched by millions of people, not only in Turkey, but in many other countries, where it was dubbed and shown on television, and it became one of the most successful Turkish series ever made, a phenomenon that made Beren famous across the Middle East, the Balkans, and Latin America. She became a global star, recognised in many countries, and her face, as Bihter, became an image known around the world.

The series also showed that Beren was more than a beautiful actress. She was a serious performer, who could play a difficult, controversial character, and make the audience understand her, even when they disagreed with her choices. That is a hard thing to do, and it earned her respect from directors, from writers, and from audiences, and it became the foundation of a long career.

After Aşk-ı Memnu, she was a star, and she could have taken any role, but she did not rush. She took time, she chose carefully, and she waited for a role that would challenge her, and that would show that she was more than Bihter, and that patience paid off, when the next great role came along.

Fatmagül, a Brave Role, and a Story That Mattered

In 2010, Beren was cast as Fatmagül Ketenci in Fatmagül’ün Suçu Ne, which means What is Fatmagül’s Fault, a series about a young woman from a village who is the victim of a terrible crime, and who fights for justice, with the help of a lawyer, Kerim, who falls in love with her. The series was a brave and important work, because it dealt with a difficult subject, with the pain of a victim, and with the struggle for justice in a society that often blames the victim, and it became one of the most talked-about series in Turkish television.

She played Fatmagül with a quiet strength, with a vulnerability, and with a dignity that made the character feel real, and that made audiences care about her, and about her fight for justice. It was a very different role from Bihter, a woman who was innocent, who was hurt, and who had to find the strength to go on, and Beren played her with a sensitivity that earned her praise from critics, and from audiences, and from women’s groups, who thanked her for telling a story that mattered.

The series was watched by millions of people, in Turkey and in many other countries, and it sparked conversations about justice, about women’s rights, and about the way society treats victims, and it showed that a television series could be more than entertainment. It could be a force for change, and Beren was at the centre of that change, using her fame to tell a story that needed to be told.

Playing Fatmagül was hard work, emotionally, because the role asked her to show pain, fear, and hope, week after week, for two seasons, and she gave it her full attention, and her full heart, and that dedication showed on screen, in every scene, in every look, and in every word. It was a role that only a few actresses could have played, and she played it with a skill that made it look easy, which is the mark of a great actress.

After Fatmagül, Beren was not just a star. She was an actress who had used her talent to tell an important story, and who had earned the respect of audiences, not only for her beauty, but for her courage, and for her willingness to take on a hard role, and to do it well.

Kösem, The Gift, and New Worlds

In 2015, Beren was cast as Kösem Sultan in Muhteşem Yüzyıl: Kösem, a historical drama about the Ottoman Empire, about a woman who rises from a slave to become one of the most powerful women in the empire, a sultan’s wife, a mother, and a ruler in her own right. The series was a huge production, with lavish costumes, with grand sets, and with a large cast, and it became a success, and it showed Beren in a new light, as a historical figure, with power, with ambition, and with a complex inner life.

She played Kösem for two seasons, and she made the character into a living person, not a statue, a woman who was intelligent, strong, and human, who loved, who lost, and who fought for her children, and for her place in a dangerous world. It was a very different role from Bihter and Fatmagül, and it proved that she could play a queen, a mother, and a politician, with the same skill she had shown in modern dramas.

In 2019, she was cast as Atiye in The Gift, known in Turkish as Atiye, the second Turkish original series on Netflix, a fantasy drama about a painter who discovers a mysterious symbol, and a connection to an ancient site, Göbekli Tepe, and to a secret that changes her life. The series was a global success on Netflix, and it introduced Beren to a new audience, of streaming viewers around the world, who discovered Turkish drama through her performance.

She played Atiye for three seasons, and she became a global star again, watched by Netflix viewers in many countries, who loved the mystery, the fantasy, and the beauty of the series, and who admired Beren’s performance, as a woman who is both an artist and a seeker, trying to understand a mystery that is bigger than herself. It was a new kind of role for her, and she played it with a calm, and with a curiosity, that suited the story.

After Kösem and The Gift, Beren had played four great roles, Bihter, Fatmagül, Kösem, and Atiye, each one different, each one loved, and each one a part of Turkish television history. She had become a legend, and she had earned that title, role by role, year by year.

Marriage, Family, and a Life in the Spotlight

Beren is married to Kenan Doğulu, a famous Turkish singer, and they married in 2014, in a beautiful ceremony in Los Angeles, becoming one of the most loved couples in Turkish show business. Their marriage has been followed by fans, by the press, and by audiences, who love them as a couple, and who admire their partnership, as two stars who support each other, and who have built a life together, through the pressures of fame.

She has spoken about how much her marriage means to her, and how being a wife changed her life, giving her a new sense of stability, and a reason to work hard, not only for herself, but for her family. She is a devoted wife, and she has said that her husband is her best friend, and her partner, and she acts as if she believes it, by keeping their life private, and by protecting their home from the press.

She has also faced difficult times in her private life, including the loss of a close friend, and health issues, which she has spoken about with honesty, and which have made her more aware of what matters in life. She has used her fame to speak about health, about kindness, and about the importance of taking care of oneself, and she has earned respect for her honesty, and for her willingness to be open about hard things.

Off screen, she is a quiet woman, a wife, a friend, and a person who cares deeply about the world around her, who supports charities, who speaks out on issues she cares about, and who uses her voice for good, without making a show of it. She is not a star who seeks attention for its own sake. She is a person who wants to make a difference, and who does so, quietly, and with sincerity.

For people in Turkey, she is not just a star. She is a woman who is admired, not only for her acting, but for the way she lives her life, with dignity, with kindness, and with a deep respect for others, and that makes her even more loved, because audiences see in her a person they can respect, and a star they can look up to.

A Star Who Chose Hard Roles

Looking back, Beren Saat’s career is a story of a girl from Ankara who became one of the most famous actresses in Turkey, through hard work, through talent, and through a deep respect for her craft, and through choosing roles that were hard, that asked difficult questions, and that made audiences think. She did not become famous overnight. She studied, she worked, she learned, and she waited for the right parts, and when they came, she was ready.

Her legacy is clear. She gave the world Bihter, Fatmagül, Kösem, and Atiye, four characters who will be remembered for as long as people watch Turkish television, and she gave audiences stories that mattered, about love, about justice, about power, and about mystery, and she showed that a Turkish actress could be a global star, without losing her dignity, and without forgetting where she came from.

Young actresses in Turkey look up to her, not only because she is famous, but because she is a serious actress, because she works hard, and because she treats her craft with respect. She did not become a star and then stop. She kept going, and she kept growing, and that is a lesson that lasts.

She remains, in the end, a woman from Ankara, who became a star, and who never forgot the values she learned at home, kindness, honesty, and hard work, and who never forgot that acting is not about fame, but about telling a story that matters. Her story is a reminder that a long career is built on talent, on discipline, and on a love for the work, and that is a story worth telling.

Today, when people watch Aşk-ı Memnu, or Fatmagül, or The Gift, they still see her, strong, vulnerable, and honest, and they feel that they are in the presence of a real actress, and a real person. That is the best tribute an actress can receive, that her work still lives, and that it still touches people, years after it was made.

Awards, Advocacy, and a Voice Beyond Acting

Beren Saat has won many awards in Turkey for her acting, including honours for Aşk-ı Memnu, for Fatmagül, and for her work in film and television, and those awards, though they are not the reason she acts, are a recognition of a lifetime of work, and a sign of the respect she has earned, from critics, from her peers, and from her audience, who voted for her, and who watched her, year after year, and who love her performances, for their honesty, and for their depth.

She has also used her fame for advocacy, speaking out on issues she cares about, including women’s rights, education, and health, and she has supported charities, performed at benefit events, and used her voice to say things that matter, even when it was difficult, and even when she faced criticism, and that courage, to speak, when many stars stay silent, is a part of her story, and a part of why she is respected, not only as an actress, but as a person, who cares about her country, and about its people.

Her role in Fatmagül, in particular, sparked conversations in Turkey and abroad, about justice, about women’s rights, and about the way society treats victims, and those conversations, started by a television series, led to real discussions, in homes, in schools, and in the press, and that is a powerful thing, for a series to do, and for an actress to be a part of, because it shows that art can change the world, even a little, by telling a story that needs to be told, with honesty, and with heart.

She has also been a role model for young women in Turkey, who see in her a woman who is strong, intelligent, and independent, who chooses hard roles, who speaks out, and who is respected, not only for her beauty, but for her talent, and for her courage, and that message, to young women, that they can be leaders, that they can choose, and that they can be heard, is an important one, and it is a legacy that lasts longer than any single series, because it inspires others, to try, to speak, and to believe in themselves.

She has worked with directors, with writers, and with other actors, who praise her professionalism, her preparation, and her kindness on set, and she is known as a colleague who works hard, who helps others do their best, and who treats everyone, from the star to the crew, with respect, and that reputation, earned over twenty years, is a part of why directors keep calling her, because they know she will not waste a scene, and they know she will give her best, every time.

She has also explored film, with roles in Turkish films, that showed a different side of her talent, a more intimate, and a more personal side, than television, and those films, though they were not as widely seen as her series, were important, because they showed that she was not only a television star, but a film actress, with a range, and with a depth, that could work in any form, and that versatility is a sign of a serious artist, who is willing to learn, and to grow, throughout her career.

Today, she continues to act, to speak out, and to work, and she remains one of the most respected actresses in Turkey, a woman whose name is associated with quality, with courage, and with a long and successful career, and whose story is a reminder that a great actress is not only a star, but a voice, for herself, and for others, and that is a story worth telling, for a long time to come.

My Take:

I think the first thing I feel about Beren Saat is admiration for her courage in choosing hard roles, because she could have played safe, romantic heroines for her whole career, and she would have been famous, but she chose Bihter, a woman in a forbidden love, and Fatmagül, a victim fighting for justice, and those roles were hard, controversial, and emotionally demanding, and she played them with honesty. That courage tells me she cares more about the work than about being liked, and I respect that deeply.

I admire her performance as Bihter most of all, because Bihter is a character who is easy to judge, and hard to understand, a woman who makes choices that destroy her, and Beren made the audience understand her, even when they disagreed with her. She did not play Bihter as a villain, or as a victim. She played her as a human being, with desires, with fears, and with a moral struggle, and that is real acting, in my view, because it trusts the audience to think, not just to feel.

What moves me about her story is Fatmagül, and the way she used her fame to tell a story that mattered, about a young woman who is the victim of a terrible crime, and who fights for justice. That series sparked conversations in Turkey and in many other countries, about women’s rights, about justice, and about how society treats victims, and Beren was at the centre of that conversation, using her talent for good. That is a powerful thing for an actress to do, and it is a part of her story that should not be forgotten.

I also think about her journey, from Ankara, through a television contest, to Istanbul, and how she built her career step by step, without a famous family, without money, and without a shortcut. She studied, she took small roles, she learned, and she waited, and when the right role came, she was ready. That is a story that gives hope to any young person from a modest background, who dreams of becoming an actor, and who is willing to work for it.

Her role as Kösem also stays with me, because it was a very different kind of character, a woman who rises from a slave to become one of the most powerful women in the Ottoman Empire, and Beren played her with a strength, a intelligence, and a humanity that made the character feel real, not like a figure in a history book. She showed that she could play a queen, a mother, and a politician, and make each side of the character believable, and that range is a sign of a great actress.

There is a sadness in her story too, and it is the sadness of Bihter, of Fatmagül, of characters who suffer, who lose, and who must find a way to go on, and Beren plays that sadness with honesty. She does not hide it, and she does not make it easy. She lets the audience feel it, and that honesty is what makes her performances worth watching, because they feel true, not acted, and they stay with you after the series ends.

For a young actress, I think the lesson is to choose roles that matter, and to be brave, because Beren chose hard roles, and those roles made her a legend, while safe roles would have made her famous for a few years, and then forgotten. A hard role is a risk, but it is also a chance to show what you can do, and to tell a story that matters, and Beren took that risk, again and again, and it paid off.

I also learn from her that a star should be private, calm, and kind, because she does not share her personal life online, she does not seek attention, and she uses her voice for good, supporting charities, speaking about health, and caring about the world around her. In a noisy world, that calm and kindness is a strength, and it has helped her keep a long career without scandal, and without burnout.

Her work in The Gift matters to me too, because it was a fantasy series on Netflix, a new kind of role for her, and she played Atiye with a curiosity, a calm, and a sense of wonder that suited the story, and that showed she was willing to try new things, even after twenty years as a star. Many actresses would be afraid to try fantasy, because they worry it will not be taken seriously. Beren did not worry about that. She chose the role, and she played it well.

I think about her marriage to Kenan Doğulu, and about the way they support each other, as two stars who have built a life together, and I find it warm, because it shows that a famous couple can make it work, with love, with respect, and with privacy. They are not a couple who live their lives in public. They are a couple who live their lives, and who let their work speak, and that is a mature way to handle fame.

Another thing I notice is how she handles fame in many countries, with fans in the Middle East, in Latin America, in the Balkans, who watch her series dubbed in their own languages, and who love her, even though they have never been to Turkey. That is a powerful thing, and it shows that a good actress can cross borders, can speak to people in many languages, through a story, through a face, and through a feeling, and Beren has done that, without ever leaving Istanbul.

I also think about what her story means for young women in Turkey, who dream of becoming actresses, and who see in Beren a proof that a woman can be a leading star, can choose hard roles, can speak out, and can be respected, not only for her beauty, but for her talent, and for her courage. That is an important message, and it is a legacy that lasts longer than any single series.

In the end, I think Beren Saat teaches us that a great actress is not the loudest person on screen, but the most honest, the most prepared, and the most brave, and that a long career is built on talent, on discipline, and on choosing roles that matter. She did not become famous overnight. She became famous by working hard, year after year, and by giving every role her best, and that is a legacy I would be proud of.

One more thought stays with me, and it is about her kindness, and about the way she uses her fame to help others, quietly, without making a show of it, because that generosity tells me more about her than any award ever could. She is a star who remembers that fame is a gift, and that it should be used for good, and I hope she keeps doing that for many years to come.

Finally, I think Beren reminds us that a story can change the world, even a little, because Fatmagül changed conversations about justice, Bihter changed conversations about love, and The Gift changed conversations about mystery, and each time, Beren was at the centre, telling a story that mattered, with honesty, and with heart. That is a gift, and it is a story worth telling.

I keep thinking about her advocacy, and about what it means for a famous actress to speak out, on women’s rights, on health, and on education, when many stars stay silent, afraid of losing fans, and Beren speaks, with honesty, and with kindness, and that courage is a part of her character, and a part of why she is respected, not only as an actress, but as a person, who cares about her country, and about its people, and who is willing to say so, even when it costs her.

I also think about Fatmagül again, and about the conversations it started, in homes, in schools, and in the press, about justice, and about how society treats victims, and I realise that a television series can change the world, even a little, by telling a story that needs to be told, and Beren was at the centre of that change, using her talent for good, and that is a powerful thing, for an actress to do, and it is a part of her story that should not be forgotten, and that should be honoured.

Her awards also matter to me, not because an award makes an actress great, but because it is a recognition, from critics, and from audiences, that her work is valued, and that her performances, as Bihter, as Fatmagül, as Kösem, and as Atiye, were not only popular, but excellent, and that recognition, earned over twenty years, is a sign of a long career, built on talent, on discipline, and on hard work, and it is a legacy she has earned, role by role, year by year.

I think about her as a role model for young women, and about what it means for a girl in Turkey to see Beren, a woman who is strong, intelligent, and independent, who chooses hard roles, and who is respected, not only for her beauty, but for her talent, and for her courage, and I realise that this message, that a woman can be a leader, can choose, and can be heard, is an important one, and it is a legacy that lasts longer than any single series, because it inspires others, to try, to speak, and to believe in themselves.

Another thought that stays with me is about her kindness on set, and about how directors and other actors praise her, for her professionalism, her preparation, and her respect for everyone, from the star to the crew, and that reputation, earned over twenty years, is a part of why directors keep calling her, because they know she will give her best, and they know she will help others do their best, and that generosity, as a colleague, is a rare and precious quality, in a competitive business, and it is a sign of a mature artist.

I also reflect on her film work, and on how it showed a different side of her talent, more intimate, and more personal, than television, and I realise that a serious actress is not afraid to try new forms, to work in film, on stage, and on streaming, and Beren has done that, with The Gift, with Kösem, and with films, and that willingness to try new things, even after twenty years as a star, is a sign of a person who is still learning, and still growing, and who is not afraid of a new challenge.

There is a lesson here about courage, and it is a lesson I want to remember, because Beren chose hard roles, Bihter, Fatmagül, Kösem, Atiye, each one difficult, each one controversial, and each one a risk, and she took those risks, again and again, and they made her a legend, while safe roles would have made her famous for a few years, and then forgotten, and that is a lesson for any young actor, that a hard role is a risk, but it is also a chance, to show what you can do, and to tell a story that matters.

I think about her marriage to Kenan Doğulu, and about the way they support each other, as two stars who have built a life together, with love, with respect, and with privacy, and I find it warm, because it shows that a famous couple can make it work, without living their lives in public, and without letting fame destroy their home, and that is a mature way to handle success, and a quality I admire in any person, especially in a star, who is watched by millions.

Her work in The Gift also deserves more thought, because it was a fantasy series on Netflix, a new kind of role for her, and she played Atiye with a curiosity, a calm, and a sense of wonder, that suited the story, and that showed she was willing to try new things, even after twenty years as a star, and many actresses would be afraid to try fantasy, because they worry it will not be taken seriously, but Beren did not worry about that, she chose the role, and she played it well, and that is a sign of a real actress.

I also think about the future, and about what Beren will do next, because she is still acting, still speaking out, and still growing, and I hope she keeps doing it, for many years to come, because Turkish television needs actresses like her, actresses who are serious, who are brave, and who care about their audience, and who give every role their best, and that is a gift, to the audience, and to the industry, and it is a gift that lasts, long after the series ends.

In the end, I think the extra chapter of her life, the awards, the advocacy, and the voice beyond acting, makes her story richer, because it shows a woman who is not only a star, but a person who uses her fame for good, who speaks out, who helps others, and who inspires young women, and that is a legacy that lasts longer than any single role, because it lives in others, and it goes on, through them, for generations.

Finally, I return to the image of the moonlit terrace, with a woman in a pale blue gown, looking over the Bosphorus, because that image captures her story, a star, on a terrace, at night, with the city lights below, and with a quiet dignity, and I hope that image stays with readers, as a picture of an actress who is strong, vulnerable, and honest, and who will be remembered, for as long as people watch Turkish television.

Frequently Asked Questions

When and where was Beren Saat born?

Beren Saat was born on 26 February 1984 in Ankara, Turkey, into a loving family. She grew up in the city, went to school there, and later studied at Başkent University before moving to Istanbul to pursue acting.

How did Beren Saat start her acting career?

She entered the television acting contest Türkiye’nin Yıldızları in 2004 and finished as the runner-up, which brought her to the attention of casting directors. She then took small television roles and built her career one role at a time.

Who did Beren Saat play in Aşk-ı Memnu?

She played Bihter Ziyagil, a young woman who marries a rich older man and then falls in love with his nephew, in a passionate and tragic affair. Aşk-ı Memnu, which ran from 2008, became one of the most successful Turkish series ever made.

Who did Beren Saat play in Fatmagül’ün Suçu Ne?

She played Fatmagül Ketenci, a young woman from a village who is the victim of a terrible crime and fights for justice. The series, which ran from 2010, sparked important conversations about women’s rights and justice in Turkey and abroad.

What was The Gift on Netflix?

The Gift, known in Turkish as Atiye, was the second Turkish original series on Netflix, released in 2019, in which Beren played Atiye, a painter who discovers a mysterious symbol and a connection to the ancient site of Göbekli Tepe. She played the role for three seasons.

Is Beren Saat married?

Yes, she is married to the Turkish singer Kenan Doğulu, and they married in 2014 in Los Angeles. They are one of the most loved couples in Turkish show business, and they keep their private life largely out of the spotlight.